Partitions Musique classique (époque classique) pour Chœur

Three of the most famous choruses from Handel's 'Messiah' are combined and arranged for choirs without tenors. It is so important for small church choirs and school choirs to have the experience of si...

Three of the most famous choruses from Handel's 'Messiah' are combined and arranged for choirs without tenors. It is so important for small church choirs and school choirs to have the experience of si...

Experience one of the most timeless classics in music history in a magnificent choral setting: Johann Pachelbel's world-renowned "Canon in D", masterfully arranged by Noel Goemanne for mixed choir (SA...

A well-crafted choral work incorporating Bach's famous 'Air' from orchestral Suite in D, the best loved carol, 'Still, Still, Still,' and just a touch of 'O Holy Night. ' A simple adaptation of Bach's...

La belle mélodie baroque de William Boyce est introduite à l'unisson, puis chantée en canon dans cet arrangement accessible. Des paroles profanes nouvellement écrites invitent à "élever sa voix dans u...

William Boyce's beautiful Baroque melody is introduced in unison, and then sung as a canon in this accessible masterwork arrangement. Newly penned secular lyrics serve as an invitation to "lift your v...

Dans l'opéra Orphée de Georg Philipp Telemann, ce n'est pas Eurydice qui est au centre de l'attention, mais la reine Orasia, qui vit un amour fou mais non partagé avec le chanteur légendaire. La premi...

The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it poss...

Conçue à l'origine comme un prologue au ballet "Les Beaux Jours de l'Amour", la pièce en un acte "La Naissance d'Osiris" n'a été jouée que deux fois, en même temps que les reprises de "Pigmalion" et "...

Conçue à l'origine comme un prologue au ballet "Les Beaux Jours de l'Amour", la pièce en un acte "La Naissance d'Osiris" n'a été jouée que deux fois, en même temps que les reprises de "Pigmalion" et "...

Avec Gesualdo et Monteverdi, Marenzio compte parmi les grands compositeurs de madrigaux italiens du XVIe siècle. Heinrich Schütz a remanié le madrigal " Deh poi ch'era ne' fati ch'io " deux fois, ce q...

Les trois grands motets Quam dilecta, In convertendo et Deus noster refugium, composés par Jean-Philippe Rameau entre 1713 et 1715, sont restés relativement méconnus jusqu'à aujourd'hui. Et pourtant,...

Bring one of the most sublime classics in music history to your stage: George Frideric Handel's world-famous "Largo from Xerxes" enchants listeners across generations with its timeless elegance and pr...

Bring festive brilliance to your holiday concert with this exhilarating arrangement of the beloved classic "Joy to the World," published by Excelcia Music Publishing. Scored for mixed choir (SATB) and...

Starting with an understated first verse then moving into the "bell" section over the melody in the second verse and concluding with a triumphant ending. A great closer for your Christmas program.

Classic Bach in the hands of master arranger Russell Robinson means this setting will sound as full and rich as the original, but it will be accessible to three-part choirs in a very sing-able way. Th...

Il s'agit d'un pot-pourri énergique de deux des pièces les plus célèbres de G.F. Haendel, Joy to the World et For Unto us a Child Is Born. Excelcia Music Publishing est fier de présenter ce superbe ar...

This is an up-tempo medley of two of G.F. Handel's most famous pieces, Joy to the World and For Unto us a Child Is Born. Excelcia Music Publishing is proud to present this stunning arrangement by Jame...

Art Thou Troubled' ist ein Lied, das die heilenden Kräfte der Musik anpreist. So ist sie der 'Quell der Freude' und wird alle 'Traurigkeit heilen', da sie uns mit 'göttlicher Stimme' ruft. Die lieblic...

Based on Predude I from THE WELL-TEMPERED CLAVIER.

Handel 's Hercules, edited by Peter Jones is available here as a Vocal Score. With a libretto by Thomas Broughton, this version was composed in 1744 with its first performance the following year at th...