Partitions Musique classique (époque classique) pour 3 Violons et Basse continue

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

The cantata 'Höchsterwünschtes Freudenfest' BWV 194 was composed for an organ dedication on 2 November 1723 in Störmthal, Saxony. A year later, and with just a few alterations, the cantata was perform...

Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church wo...

Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church wo...

Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church wo...

Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church wo...

Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church wo...

Également inclus dans le set

Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...

La cantate Christ lag in Todesbanden (Christ gisait dans les liens de la mort) fait partie des compositions vocales les plus anciennes de Bach qui nous sont parvenues. Le texte se base sur le choral d...

La cantate Christ lag in Todesbanden (Christ gisait dans les liens de la mort) fait partie des compositions vocales les plus anciennes de Bach qui nous sont parvenues. Le texte se base sur le choral d...

Reconstruction de la version originale présumée par Reinhold Kubik

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stude...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

Également inclus dans le set

Également inclus dans le set

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...