Partitions Gospel pour Chœur

Bring the house down with this spectacular rendition of the widely-known Ezekiel Saw the Wheel by one of the most skilled arrangers of our time. Mark Hayes opens with a slow, soulful introduction and...

A dramatic rubato solo paves the way for the basses to lay down their walking line under the minor-key theme of this familiar spiritual, initially sung by the women. And when the tenors add their rhyt...

This sturdy original is composed in the style of a traditional spiritual. A symbolic text leads to crossing metaphoric River Jordan as the music recalls songs from early America. Opens with brief solo...

This sturdy original is composed in the style of a traditional spiritual. A symbolic text leads to crossing metaphoric River Jordan as the music recalls songs from early America. Opens with brief solo...

The familiar African-American spiritual in a fresh rhythmic setting! Opening with just a shaker and unison voices, a tapestry of percussion ostinatos and traditional choral harmony gradually unfolds b...

The familiar African-American spiritual in a fresh rhythmic setting! Opening with just a shaker and unison voices, a tapestry of percussion ostinatos and traditional choral harmony gradually unfolds b...

This work for unaccompanied SATB soli and choir was commissioned in the name of Sir Thomas Armstrong by the Musicians Benevolent Fund, for performance at the St. Cecilia's Day service in Westminster A...

A beautiful spiritual work arranged by Richard Allain for Soprano Solo and SSATB chorus (unaccompanied), with additional words by the arranger. Includes a Keyboard/Piano line for rehearsal purposes on...

For Soprano solo and SATB chorus unaccompanied. Includes a Keyboard/Piano line for rehearsal purposes only. 'The Spirituals represent an extraordinary religious, social and musical legacy. They are am...

For Soprano solo and SATB chorus unaccompanied. Includes a Keyboard/Piano line for rehearsal purposes only. 'The Spirituals represent an extraordinary religious, social and musical legacy. They are a...

For Soprano solo and SATB chorus unaccompanied. Includes a Keyboard/Piano line for rehearsal purposes only. 'The Spirituals represent an extraordinary religious, social and musical legacy. They are am...

For SSAA solo / semi chorus and SSAATTBB unaccompanied 'The Spirituals represent an extraordinary religious, social and musical legacy. They are among the most enduring examples of all vernacular art...

The Spirituals represent an extraordinary religious, social and musical legacy. They are among the most enduring examples of all vernacular art, and their appeal remains undiminished. These poignant e...

For Soprano solo and SATB chorus unaccompanied. Includes a Keyboard/Piano line for rehearsal purposes only. 'The Spirituals represent an extraordinary religious, social and musical legacy. They are am...

Donald Moore brings you a superb rendition of this much-loved spiritual. Choirs looking for good solid new repertoire should consider this one. The arrangement may be performed a cappella or with acco...

Donald Moore brings you a superb rendition of this much-loved spiritual. Choirs looking for good solid new repertoire should consider this one. The arrangement may be performed a cappella or with acco...

for soloist and SATB unaccompanied The text is a compilation of various spiritual texts. It is written in the style of an African American Spiritual, but with a contemporary flair. This is jubilant ch...

Each of the five connected movements in this choral cycle contains references to 'Light, ' assembled from various sacred Latin texts. I composed Lux Aeterna in response to my mother's final illness an...

I'm Gonna Sing All The Way To Heaven, is a contemporary gospel song arranged for Soprano, Alto, Tenor and Bass a cappella. Words and music by Pepper Choplin.

Bring a touch of the Nutcracker to your next holiday concert with this classy bit of humor. Much of Tchaikovsky's original material is used in this a cappella setting.

Bring a touch of the Nutcracker to your next holiday concert with this classy bit of humor. Much of Tchaikovsky's original material is used in this a cappella setting.

A tender and moving piece for Soprano Solo and Unaccompanied SATB. Edited for performance by Alan Gibbs.

Roland Carter's gift for simple and dynamic arrangements shows in this setting. Unaccompanied, yet accessible to many levels.