Partitions Giles Swayne pour chœur mixte

Five songs of innocence and experience based on poems by William Blake for unaccompanied mixed chorus. Includes a Piano accompaniment for rehearsal purposes.

Vocal Score of Giles Swayne's 'Cry' for 28 amplified voices. (SATB) a capella. Duration 78 minutes. Composed in 1978-79, and first performed by the BBC Singers under John Poole.

Described by the composer as 'a prayer for sanity, a cry in the wilderness to a god who may or may not be there', this unconventional Mass (with new words) is written in the context of a world where m...

A re-engraved and re-edited copy of the 1969 set of pieces for unaccompanied mixed voices, including Where The Bee Sucks and Full Fathom Five.

A first retrospective of Giles Swayne's challenging but rewarding liturgical settings. This album brings together five short religious choral settings, for mixed voices unaccompanied or with organ.

The Magnificat was written in 1982 in response to a commission from Christ Church College, Oxford, whose choir first performed it under their conductor Francis Grier in July of that year. At that time...

The Silent Land Chorus Parts (8 x SSATB). Huge work for 8 choirs and cello. This set contains of one copy of each vocal score

Work for SATB Choir and Organ commissioned by the Norwich Festival of Contemporary Church Music.

Op. 77 No. 4. For SATB chorus with harp accompaniment.

The Tiger is a 1995 piece based on the poem The Tiger by William Blake, though it is not a straightforward setting of the work. Part of the poem appears in English and a second part in French, German,...

Written by Giles Swayne in 1995, based around the poem 'The Tiger' by William Blake. The work is for SATB choir, and SSSATB soloists. A separate line for hands and feet is included on the score, with...

Choral work by the acclaimed British composer.

A setting of Christina Rossetti's poem for Soli SATB Quartet and SATB (divisi) chorus. Although this work would tax the most accomplished chamber choirs, the composer remains true to rhythmic style an...

These two songs were written between December 1994 and January 1996. Swayne has said that there will be eventually three songs as he will hopefully include a version of La Belle Dame sans merci.

Four Christmas carols that capture the distinctive, contradictory and unmistakable choral style of Giles Swayne. Always plain-speaking, challenging, intense and emotionally honest, Swaynes music also...

Full Score. A re-working of Swayne’s 1985 Missa Tiburtina with additional saxophone quartet. Described by the composer as “a blackly ironic setting of the Latin Mass”, the piece was composed during th...