Partitions Barbershop pour chœur mixte

A setting of the hymn Samanthra, this piece combines the original tune's simplicity with rich musical texture and majesty - the hallmarks of Wilberg's style. Orchestral material is available on hire/r...

This Easter anthem is a triumphant setting of words by Edmund Spenser and St John Damascene, featuring joyful choral parts, and ending with a new harmonization of the Easter hymn tune 'Ellacombe', wit...

This original hymn is touching and lyrical, with unison first and second verses blossoming into four-part writing in the third verse. It may be performed as either a congregational hymn (a congregatio...

Rutter's arrangement of the hymn O God, Our Help in Ages Past uses the hymn tune St. Anne to great effect. The verses alternate between choir alone and choir with congregation, building to an upliftin...

Uses Latin and English (Rite A) texts.

This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highl...

This is John Rutter's first setting of the Magnificat and Nunc dimittis texts. The Magnificat features rippling organ syncopations, contrasting textures, and an emphatic Gloria. The Nunc dimittis is t...

For SATB and optional organ.

A setting of words from Psalm 27 featuring a solo clarinet with various choral groupings. A clarinet part is included in the vocal score. Instrumental material is available on hire.

John Rutter wrote this anthem for the dedication of the Herbert Howells memorial window in Gloucester Cathedral in 1992. The first section is full of mystical intensity, and, with its iridescent chrom...

Festival hymn with introductory fanfare for SATB, brass ensemble (4 trumpets, 3 trombones or 2 horns and one trombone, tuba), timpani, percussion, and organ, or for SATB and orchestra. Orchestral mate...

A fine antiphonal masterwork for today's mixed choirs. May be performed by one choir with any of the following performing the antiphonal choir part: a second choir, a small group of voices, brass or s...

Sally Albrecht has adeptly set a 'Kyrie eleison' text to Handel's classic 'Sarabande' melody. You'll recognize the melody as soon as you hear it, and your immediate reaction will be, 'Why hasn't someo...

This tender song of remembrance features a poignant original text combined with Latin phrases from the Requiem Mass. Close cluster chords, beautifully sculpted phrases, and expressive dynamics leave t...

An achievable thriller on a familiar Latin text! Jay Althouse's compelling mixed meter theme develops into a shimmering array of contemporary harmonies in this exciting, angular work. A reflective ada...

Victor C. Johnson's radiant realization of the traditional Latin "light born of light" text is equally fitting for the concert hall, stage, or sanctuary. With plenty of room for expressive singing, th...

Dès 1960, le Dixit Dominus de Georg Friedrich Händel a été publié dans le cadre de la toute jeune édition Hallische Händel. Aucun rapport critique n'avait été présenté à cette occasion, de sorte qu'en...

Le Psaume 137, « Super flumina Babylonis » ou « Au bord des fleuves de Babylone », a inspiré de nombreux compositeurs, dont Camille Saint-Saëns. Il s’occupa encore et encore de son motet de psaumes po...

Orgue, Choeur mixte - Partition

Adapté pour soli, chœur et orgue.

Die Missa in F von 1734 für zwei bzw. vier Chöre ist wohl das bedeutendste Werk Pergolesis für Chor und Orchester. Die Bezeichnung 'Missa Romana' ist nachträglich entstanden. Sie geht auf eine Aufführ...

Komponiert im Jahr 2011 für Katherine Dienes-Williams und den Chor der Guildford Cathedral, umfasst Guildford Mass die üblichen Texte der lateinischen Messe (Kyrie, Gloria, Sanctus, Benedictus and Agn...

Stabat Mater de Kim André Arnesen redonne vie à l'hymne latine du XIIIe siècle, qui dépeint la souffrance de la Vierge Marie lors de la crucifixion de son fils, Jésus-Christ. Parmi les strophes tradit...