Partitions Barbershop pour chœur mixte

For mixed voices with keyboard accompaniment, the traditional spiritual Stayed On Jesus is set here in an accessible arrangement. Influenced by gospel music, try the piece on music ministry Sunday.

Originally written for middle school voices, this lovely spiritual arrangement is set for choir accompanied by solo saxophone. It would also work successfully for high school or adult voices in worshi...

This gospel tune is really fun! Try it with your youth or adult choirs in worship settings or concert.

This piece really 'rocks'! In a gospel style, the piece requires a capable pianist and soloist, and a choir with great rhythmic accuracy. It is sure to bring down the house!

Renowned composer and organist Carolyn Hamlin arranged this gospel style hymn initially penned by Robert Monath. Written for mixed voices with keyboard, the lyrics reflect on nature, God's loving grac...

Composer Michael Engelhardt gives us this advanced 'gospel' piece set for mixed chorus with a 'rocking' piano accompaniment and rhythm section. It's a great piece for high school or college/university...

Originally scored for male chorus, this setting for mixed voices SATB with piano is an accessible arrangement of this popular spiritual appropriate for high school or church choirs alike.

Originally scored for male chorus, this setting for mixed voices SATB with piano is an accessible arrangement of this popular spiritual appropriate for high school or church choirs alike.

This exciting spiritual setting by Andre Thomas has become a classic for church and festival use, as well in multicultural settings. The work is not particularly difficult, but requires fine musicians...

This exciting spiritual setting by Andre Thomas has become a classic for church and festival use, as well in multicultural settings. The work is not particularly difficult, but requires fine musicians...

A rhythmic, jazz setting of the traditional spiritual for high school or college choir, medium difficulty

A poem by Sara Teasdale is the inspiration for this minor-key setting, which relies heavily on the piano and cello accompaniment to convey the deeply spiritual feeling of the text. For with my singing...

A poem by Sara Teasdale is the inspiration for this minor-key setting, which relies heavily on the piano and cello accompaniment to convey the deeply spiritual feeling of the text. For with my singing...

A show-stopping, get-the-congregation-on-their-feet medley of patriotic favorites, An American Trilogy will bring down the house! Mark Hayes has arranged this mini-collection in gospel style with an a...

An exciting gospel arrangement for SSAB or SATB voices, Angels Watchin' Over Me will get you moving! Great syncopation, a wonderful rhythmic accompaniment, jazz harmonies, opportunities to show off yo...

Words by Don Besig and Nancy Price Music by Don Besig

Faith and trust, encouragement and hope, God's love-these are stepping stones we find on our Christian walk. What better reason to sing? The Everlasting Arms talks about the strength received from God...

An incredible closer for your concert is found in this Billy Joel tune, arranged masterfully by Gary Fry. The solid message of love and inspiration in Everybody Has a Dream, along with the gospel styl...

When we get to heaven, we would all love to hear God speak the words, 'Well done!' This song challenges us to be faithful to our task, to share the gospel, and to show God's love to everyone. Cindy Be...

When we get to heaven, we would all love to hear God speak the words, 'Well done!' This song challenges us to be faithful to our task, to share the gospel, and to show God's love to everyone. Cindy Be...

Includes: His Eye Is on the Sparrow - The Sweet By and By - Old Time Religion - Amazing Grace - Shall We Gather at the River?

A traditional gospel song, Goin' To The Holy City is arranged for Soprano, Alto, Tenor and Bass. Words by J. Paul Williams, music by Joseph M. Martin.

A traditional gospel song, Goin' To The Holy City is arranged for Soprano, Alto, Tenor and Bass. Words by J. Paul Williams, music by Joseph M. Martin.