Partitions Barbershop pour chœur mixte

Voici Corde natus ex Parentis dans la série Choral d'Anton Armstrong - une nouvelle interprétation d'un hymne très apprécié. Avec un plain-chant obsédant chanté par les sopranos, la pièce attire progr...

Voici Corde natus ex Parentis dans la série Choral d'Anton Armstrong - une nouvelle interprétation d'un hymne très apprécié. Avec un plain-chant obsédant chanté par les sopranos, la pièce attire progr...

Ce chant anglais du XVIe siècle est traité a cappella de manière captivante, avec des dissonances et des tensions qui ne manqueront pas de laisser une impression durable sur le public. La peinture du...

Ce chant anglais du XVIe siècle est traité a cappella de manière captivante, avec des dissonances et des tensions qui ne manqueront pas de laisser une impression durable sur le public. La peinture du...

Cet arrangement a cappella du chant de Noël intemporel "Away in a Manger" apporte chaleur et joie à tout concert de Noël. Les parties séparées pour le baryton et la basse tiennent compte de l'étendue...

Cet arrangement a cappella du chant de Noël intemporel "Away in a Manger" apporte chaleur et joie à tout concert de Noël. Les parties séparées pour le baryton et la basse tiennent compte de l'étendue...

The timeless message of Christmas through the poetry of Robert Bridges in a shimmering a cappella setting. Simply gorgeous! Originally recorded by John Denver. Available: SATB a cappella. Performance...

A perfect example of the young Britten's masterful vocal writing in a Christmas choral suite destined to become a major repertoire work. Includes Christ's Nativity, Sweet was the Song, Preparations, N...

Commissioned for the traditional service of Nine Lessons and Carols in King's College Cambridge on Christmas Eve, 1994. Harvey uses words by Bishop Taylor in a beautiful melody sung by one choir, acco...

The Fayrfax Carol was commissioned by the Choir of Kings College, Cambridge for the Festival of Nine Lessons and Carols on Christmas Eve, 1997. Subtle and lyrical yet with pointed, bitter-sweet harmon...

In this ideal setting for Christmas, Grier recreates the jubilant scene using an array of crisp, electrically charged rhythms. The effect is vast and spacious.

A lilting a cappella setting of a text by Richard Crashaw (1612-1649), where the clear vocal lines are set against a dark and dense harmonic background. This short piece can be performed at any point...

Commissioned by the American Guild of Organists, this festive anthem for mixed voices and organ is an ideal choice for choirs new to Matthew's music, as well as existing fans. Lively, rhythmic and com...

This Beautiful setting of Sarah Teasdale's Christmas Carol is the latest addition to the Faber New Choral Works Series. Originally, the work was composed for the South Petherton combined Arts Society...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers an...

The Essential Carol Singer provides the solution to the endless problem of too many books and not enough hands. It includes thirty of the most popular carols in one book, all SATB, unaccompanied, with...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers an...

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This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and...

Commissioned by BBC Music Magazine, Love came down at Christmas is Alexander L'Estrange's stunning setting of the classic poem by Christina Rossetti. The music reflects the direct, sincere and express...

Two Carols by Elizabeth Maconchy comprises two songs for unaccompanied upper voices: I sing of a maiden and This day, both originally conceived in 1966, with words from fifteenth-century texts. While...

This setting of a seasonal text by Mary Wilson is for unaccompanied mixed chorus. It would be an attractive addition to a Christmas choral concert.

A Rose at Christmas is a simple setting of Berowne's words from the first scene of Love's Labour's Lost arranged for unaccompanied mixed voice choir. It was commissioned by the BBC for a c...