Partitions Barbershop pour chœur mixte

Dieses vierstimmige Stabat mater, ein musikalisches Juwel aus Spaniens 'Siglo de Oro', dem goldenen Jahrhundert, kennzeichnet eine eigenständige Behandlung des kontrapunktischen Stils. Die selbständig...

Besetzung: SATB The Sound of Roman Basilicas Choral Series; GEMA-Werknummer: 10530391

Six pieces written for mixed choir. Pater Noster written for men's voices, Panis Angelicus written for upper voices.

Les deux premières pièces présentées dans ce recueil ainsi que le refrain de la troisième ont été inspirés par trois chansons afro-brésiliennes. Ces chants appartiennent à la tradition du Candomblé, u...

Mariamusik, by Anders Öhrwall, is composed for SATB Choir, recitation and instruments. Based on old texts from Sweden, Germany, England and France about the Virgin Mary.

The words of St. Francis of Assisi have beckoned to composers for centuries. What makes this one stand out is the noble setting. Although beginning quietly, it builds steadily in a regal fashion. This...

From Kentucky Harmony and Isaac Watts comes a tune that rings with American 19th centruy harmonies. Tim Sharp has set an 8 part, a cappella version that follows the mood of the text, changing key and...

ACDA Executive Director, Tim Sharp, and famed Nashville composer Wes Ramsay, joined forces to create a new and powerful anthem using the words from one Southern Harmony's best loved texts. An optional...

A treasured hymn text incorporating the tune SALLEY GARDENS brings fresh insight to a timeless message of commitment. The opening builds confidence with unison writing before a key change brings full...

Born out of lyrics by J. P. Reese's 'Weeping Pilgrim' this is a song about expectation and creating a sense of home. The opening directive states 'floating' and indeed, a sense of being above it all w...

First performed by the choir of King's College, Cambridge, these reflective pieces are laden with exotic harmonies - rich chordal sections alternate with free-flowing solos.

Brendan Ashe's 'Hosanna!' is an exciting and energetic piece for SATB. Each voice is divided into three staves. The top line is for clapping, the middle line is for stamping, and the bottom is for eve...