Partitions Barbershop pour chœur mixte

Here Ralph Manuel sets the lovely words of St. Francis of Assisi. Whether for general use or peace with justice Sunday, the work is a gripping expression of these timely words.

This fine work by Carl Nygard works equally well during Lent or for Communion. Try it with choirs of all sizes!

Linda Marcus and David Lantz have given us a marvelous work celebrating the Season of Light and peace on earth.

Natalie Sleeth has long been appreciated and respected for her melodic gift. Here, David Giardiniere sets the work for mixed chorus with piano or optional small orchestra.

Are you looking for a new anthem to include in next year's lessons and carols? Try this one!

Though occasionally expanding to four voices, this work is primarily two-part mixed. Linda Marcus and David Lantz have produced the perfect piece for a 'bluesy' spring concert (the piano really swings...

Looking for a SAB Lenten piece? This selection has an optional tenor part.

Try this work to open your festival of lessons and carols. Note the very simple part for handbells and finger cymbals.

British composer Stuart McIntosh gives us this lovely partsong on a text by John Burroughs, it contains lovely solos for soprano and tenor.

A terrific work for community choirs, this work for divisi chorus and piano is suitable for celebrating the joys of music!

James Green and Valerie Crescenz team up once again for this marvelous secular inspirational work celebrating the arts and the creative spirit. Try it with junior high, high school, or adults as well.

Looking for a truly exceptional choral benediction? This short work will likely become a favorite for your choir and congregation.

The southern folk harp tradition is full of inspirational melodies. Here, Jonathan Shippey sets one of these melodies for two-part mixed voices with piano and optional hammered dulcimer (though it wor...

This combination of a Felix Mendelssohn tune to the Charles Wesley text is a classic! Known for his creative ability in setting hymns in a concertato style, Walter Pelz develops an exciting arrangemen...

Michael Patterson sets this translation from the mixed voices with keyboard. Try the piece for commencement festivities or as a rousing concert work.

Sandra Ford is masterful with a melody. Here, she sets text from Acts and Romans for mixed chorus with keyboard and optional violin or flute. The choral textures are varied throughout and the lovely m...

Andre Thomas is one of our most venerated choral conductors and composers. Here, he sets this text by American poet Langston Hughes for mixed voices with piano. Consider the work for Commencement or w...

This ceremonial anthem is terrific in a festival setting. Written for mixed chorus with keyboard and optional trumpet or with brass quartet and timpani, Don McCullough is true to the Hyfrydol tune. Th...

This ever-popular chorus from Handel's oratorio Judas Maccabaeus is now available in an elegant scholarly edition by Dr. David Stocker. Makes a great concert opener!

Larry Shackley is well known to most church musicians. Once again he gives us a well-crafted anthem for mixed voices accompanied by an active piano. This is not a difficult piece and could easily be p...

This text is often arranged unaccompanied. Here, Eybler scores the work for mixed chorus and a small instrumental ensemble that includes 2 oboes, 2 trumpets, timpani, and strings. Though the chorus is...

This is a traditional Irish carol set to the text from The Wexford Carol. Milburn Price arranges the tune for mixed chorus with soprano solo and flute. This is a wonderful addition to your holiday con...

Carol Nygard is no stranger to school and church musicians the world over. Try this holiday piece with your high school, church, or community chorus, it has a nice multicultural flavor.

The carol It Came Upon A Midnight Clear is beloved by all. Here, David Giardiniere sets the familiar text to a lovely new tune with mixed voices and piano.

Looking for a Scottish folksong arranged for SATB voices? Try this beautiful tune on a Robert Burns text arranged for chorus and piano by Jerry Ulrich, a pronunciation guide is included.