Partitions Barbershop pour chœur mixte

This jubilant song of exaltation is designed to make mixed and changing meters intuitive, familiar, easy. Organized in 3 + 2 + 2, the dance-like main theme is quickly mastered. A small number of famil...

Majestic and exuberant, this quintessential concert/contest selection opens and closes with an accented Latin text theme. In the middle, a contrasting chant-like 'Resonet in laudibus' softens and slow...

Majestic and exuberant, this quintessential concert/contest selection opens and closes with an accented Latin text theme. In the middle, a contrasting chant-like 'Resonet in laudibus' softens and slow...

Majestic and exuberant, this quintessential concert/contest selection opens and closes with an accented Latin text theme. In the middle, a contrasting chant-like 'Resonet in laudibus' softens and slow...

Majestic and exuberant, this quintessential concert/contest selection opens and closes with an accented Latin text theme. In the middle, a contrasting chant-like 'Resonet in laudibus' softens and slow...

A driving and dramatic spiritual meets the riveting "day of wrath" Latin text in this unique arrangement that's not to be missed. Experience the thrill of mixed and changing meters, soaring and chroma...

Des sonorités chorales colorées émergent sur une partie de piano au rythme régulier dans ce traitement contemporain du texte latin traditionnel. Le compositeur Jacob Narverud reste fidèle au degré ton...

Colorful choral sonorities emerge over a steady "heartbeat" piano part in this contemporary treatment of the traditional Latin text. Composer Jacob Narverud remains faithful to the tonic scale degree...

Ruth Morris Gray presents an exquisite minor-key setting that elevates choral musicianship. A rich melody ebbs and flows over the colorful harmonic palette, while a captivating piano theme winds its w...

Voici une sélection de concert et de concours jubilatoire qui convient parfaitement aux chœurs mixtes à trois voix (avec une tessiture conservatrice de fa-ré pour la partie III). Basé sur une seule ph...

Here's a jubilant concert and contest selection that's just right for 3-part mixed choirs (with a conservative F-D range for Part III). Based on a single Latin phrase and one in English, the dance-lik...

Victor C. Johnson's radiant realization of the traditional Latin "light born of light" text is equally fitting for the concert hall, stage, or sanctuary. With plenty of room for expressive singing, th...

Cette œuvre latine, fluide et mélismatique, offre à chaque partie vocale quelque chose de satisfaisant à chanter. Après un bref solo d'ouverture et la présentation du thème principal, une section en t...

This fresh, contemporary setting of the 'Gloria' will bring out the best in your choir. It opens softly with a chant-like section and builds with big, full choral writing. Filled with energy and vital...

This fresh, contemporary setting of the 'Gloria' will bring out the best in your choir. It opens softly with a chant-like section and builds with big, full choral writing. Filled with energy and vital...

Mozart's Dies irae has been transposed down a major second from the original. Scored originally for S. A. T. B. voices with an accompaniment of basset horns (alto clarinets), bassoons, trumpets, timpa...

Mozart's Dies irae has been transposed down a major second from the original. Scored originally for S. A. T. B. voices with an accompaniment of basset horns (alto clarinets), bassoons, trumpets, timpa...

This publication provides the Agnus Dei movement found in Mozart's 'Missa brevis in G,' K.49. In Mozart's time, a Missa brevis (brief Mass) was quite concise and few instruments were employed, since i...

This publication provides the Agnus Dei movement found in Mozart's 'Missa brevis in G,' K.49. In Mozart's time, a Missa brevis (brief Mass) was quite concise and few instruments were employed, since i...

This publication provides the Agnus Dei movement found in Mozart's 'Missa brevis in G,' K.49. In Mozart's time, a Missa brevis (brief Mass) was quite concise and few instruments were employed, since i...

Mozart / ed. Manney

Mozart / ed. Manney