Partition Michael Finnissy ensemble

Bright Future ignoring Dark Past a été commandé pour Chamber Music 2000. Finnissy fait référence à une chanson de la fin du XIXe siècle et à deux hymnes méthodistes, explorant les possibilités de leur...

'Basic Ragtime' is a collection of short movements for a small group of string players and piano. I collected them together at the request of Rodney Lister, for a performance at the New England Conser...

Setting a newly written text by Charles Bennett, Five days that changed the world takes singers on a journey through five historical events: the invention of printing, the abolition of slavery, the fi...

This anthem sets the Oculi omnium gradual to still, reflective music. Including sections of plainchant alongside richer textures and close harmonics, it is a beautiful piece that will appeal to a rang...

For clarinet in C/violin, cello and piano. As is typical of Finnissy, this piece is demanding for the performers. The tempo is slow and much of the music of the upper two parts consists of sustained n...

A simple yet subtle and thought-provoking text, written from the perspective of a child present at the Nativity, communicates the wonder of Christ's birth. Orchestral material is on hire.

Gounod's classic Christmas anthem is published here with a new arrangement of the Chorus part for SATB, alongside the Soprano and Alto soloists, Piano and optional Organ/Harmonium.

This arrangement of the well-known Christmas carol uses rich four-part harmonies with some canonic textures. This is an offprint from Benedict Sheehan's musical dramatization of A Christmas Carol.

This work can be considered a partner work to the Finnissy/Grieg Piano Quintet completion. Rather than writing in the style of Grieg, as he did with the Piano Quintet completion, Finnissy starts from...

Commissioned by Benenden School, Make We Merry is an eight-movement piece which sets texts from the 15th to 19th centuries to a variety of choral textures with a highly characterful accompaniment. A v...

An uplifting and joyful concert setting of four texts exploring man's relationship with the earth. Brimming with energy, the work has a wonderful freshness and vitality. Chilcott selects a range of ev...

For soprano saxophone (or oboe) and percussion (1 player). Kulamen Dilan is evocative of Khurdish love songs, exploring the 'methodology' of folk music, creating a mosaic from tiny motifs of pitch and...

For up to four musicians with (optional) assistant and pre-recorded tape(s). Recent Britain confronts several of the preoccupations of the media in Britain in the late 1990s: immigration, paedophilia...

WAM is an investigation of Mozart - it uses hundreds of slightly altered fragments of, or parodies of, his music - and, instead of assembling them as he might if he were composing, allows them to floa...

Molly-House contains two parallel streams of music. One consists of pages, some in conventional notation, others intentionally lacking determinacy with respect to durations and pitch. The other consis...

For hardanger fiddle, either solo or accompanied by reed-organ and/or piano (live or pre-recorded) and instrumental quartet. The piece is a 'cut-up' of passages quoted from, or composed in imitation o...

The beautiful 13th-century text has become a favourite through Britten's memorable carol. This dramatic setting really gets to the heart of the words with skilful and passionate vocal writing and rich...

Full score and set of parts for John Rutter's All the stars looked down. This touching carol sets a tender text by G. K. Chesterton. Immaculately crafted, it has at its heart another winning melody fr...

This publication makes available separately the two upper voice numbers from Chilcott's larger choral work Singing by Numbers, a celebration of singing in all its various forms. Both songs are calm an...

This work sets late texts by Friederich Holderlin. The fragmentary poems have been edited together to create the text. Gedachtnis-Hymne was premiered in November 2010 by the New London Chamber Choir w...

This work sets late texts by Friederich Holderlin. The fragmentary poems have been edited together to create the text. Gedachtnis-Hymne was premiered in November 2010 by the New London Chamber Choir w...

For two to six groups of instruments en trio. The piece is itself a cabinet of curiosities: musical excerpts from Vigany's time plus material from Hook, Lawes, Mozart, anonymous dance-tunes from mitta...

For soprano, clarinet, and piano. A Beuk o'Newcassel Sangs is the title of a nineteenth-century folk-song collection. Finnissy uses the folk-song texts, with numerous alterations, as a starting point...