Musique sacrée pour chœur mixte

Nunc autem manet was written for the wedding of Paul and Angharad de Cates in 2010. The text is taken from Corinthians 13:13 - 'Now but three things remain: faith, hope, love. But of these three the g...

The harmonic language of Ave verum is rich and full flavoured, without being strongly dissonant. There is chromatic angst in the middle section, in which the melodic line of the opening is inverted in...

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work.

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work.

This edition features fresh engravings and a paragraph explaining the historical background and context of the work.

The 'Hallelujah' Chorus, arguably the most famous choral work of the western classical tradition, is the closing number of the second part of Handel's Messiah. Such is the strength of Handel's word s...

This setting of the opening to Psalm 102 was composed in the early 1680s. Purcell, who was in his early twenties, had succeeded John Blow as organist of Westminster Abbey around the beginning of the d...

This edition is newly published in a fresh engraving. It also includes a paragraph explaining the historical background and context of the work.

This edition features fresh engravings with a paragraph explaining the historical background and context of the work.

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work.

The third of a set of four madrigals on rose texts, 'Now Sleeps the Crimson Petal', for SATB (with divisi). Commissioned by John Armitage Memorial and first performed by the joint choirs of the Univer...

An exciting new choral setting of Elgar's beloved 'Nimrod' from the 'Enigma' Variations by David Hill, this version for choir and organ should be a firm favourite for choirs around the world.

Music for Royal Occasions is an exciting volume of pieces written for coronations and other royal celebrations over the past five centuries. It includes long-standing favourites, such as Handel's Zado...

The world premiere of Patrick Hawes' Te Deum took place on 21st July 2011 in Lancaster, Ohio, USA, performed by Lancaster Chorale and Lancaster Festival Orchestra.

First performed on 14th March 2008 at The Cadogan Hall, London, by The English Chamber Orchestra, The Tallis Chamber Choir and Conventus, conducted by the composer. For SATB divisi chorus and piano.

Jubilate! Jubilee! by Paul Mealor was commissioned by Making Music, with funds provided by the British Council, to celebrate the Diamond Jubilee of HM Queen Elizabeth II. Vocal Score for SATB divisi c...

Crucifixus by Paul Mealor is here presented in a version for Baritone solo, SATB choir and Piano accompaniment. Crucifixus was commissioned by the sound Festival, and premiered by the National Youth C...

Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of his father, John Rowntree, director of music at Douai Abbey in the UK. My aim was to write a piece both short and simple...

An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-pa...

Verbum Caro Factum Est by Paul Mealor for SATB divisi chorus, 4 trumpets in Eb, timpani, percussion and organ. Verbum Caro Factum Est was commissioned by the University of St Andrews Alumni Club, Lond...

John McCabe's Psalm-Cantata (Orchestral Version). Vocal score for Soprano, Baritone and SATB choir. This work was commissioned by the English Baroque Choir and their music director Jeremy Jackman, who...

Paul Mealor's Praise was commissioned by Ralph Allwood for the Rodolfus Choir and was first performed by them on 31 December 2012 at Douai Abbey. Vocal Score for for SATB divisi chorus, organ and opti...

I Saw The Lord by Patrick Hawes was first performed on 6 July 2013 at the University Church of St Mary the Virgin, Oxford by the Choir of Magdalen College School, Oxford.

Howells' elegiac setting of words by John Buxton muses on Christ's nativity and his prophesied mission in the world. Ideal for mixed choirs in schools and parish churches.

From Heaven Distilled a Clemency is the third movement of Triptych, a cantata for choir and string orchestra. The aspirational text is underpinned by rhythmically-driving strings, allowing the voices...