Musique sacrée pour chœur mixte

We publish in these volumes the sacred works in Romance language by Sebastián Durón. They include villancicos, cantadas, tonos and tonadas written for diverse feasts, mainly for the Holy Sacrament, Ch...

We publish in these volumes the sacred works in Romance language by Sebastián Durón. They include villancicos, cantadas, tonos and tonadas written for diverse feasts, mainly for the Holy Sacrament, Ch...

We publish in these volumes the sacred works in Romance language by Sebastián Durón. They include villancicos, cantadas, tonos and tonadas written for diverse feasts, mainly for the Holy Sacrament, Ch...

We publish in these volumes the sacred works in Romance language by Sebastián Durón. They include villancicos, cantadas, tonos and tonadas written for diverse feasts, mainly for the Holy Sacrament, Ch...

We publish in these volumes the sacred works in Romance language by Sebastián Durón. They include villancicos, cantadas, tonos and tonadas written for diverse feasts, mainly for the Holy Sacrament, Ch...

This volume contains the two Misereres composed by Sebastián Durón, chapel master of the Royal Chapel in Madrid. Both Misereres are preserved in the archive of the the Royal Monastery of San Lorenzo d...

José de Nebra was born in Calatayud in 1702. At the age of 17 he was already working in Madrid as organist at the Monastery of the Descalzas Reales. In the 1720s he began to compose for Madrid's publi...

José de Nebra was born in Calatayud in 1702. At the age of 17 he was already working in Madrid as organist at the Monastery of the Descalzas Reales. In the 1720s he began to compose for Madrid's publi...

We have published in these volumes sacred works by the famous harpist and composer Juan Hidalgo Polanco (1614-1685). The present volume contains tonos or villancicos for one, two, three and four voice...

José de Nebra was born in Calatayud in 1702. At the age of 17 he was already working in Madrid as organist at the Monastery of the Descalzas Reales. In the 1720s he began to compose for Madrid's publi...

The Requiem mass for three choirs with violins and flutes is one of the few preseved works for large ensemble composed by Sebastián Durón. Like in other works by Duron, the instruments are mixed with...

José de Nebra was born in Calatayud in 1702. At the age of 17 he was already working in Madrid as organist at the Monastery of the Descalzas Reales. In the 1720s he began to compose for Madrid's publi...

We have published in these volumes sacred works by the famous harpist and composer Juan Hidalgo Polanco (1614-1685). The present volume contains tonos or villancicos for one, two, three and four voice...

The mass «a la moda francesa» by Sebastián Durón was composed probably during the first years of the 18th century. It could be composed to please the new Borbon king, Philip V, after his accession to...

We publish in these volumes the sacred works in Romance language by Sebastián Durón. They include villancicos, cantadas, tonos and tonadas written for diverse feasts, mainly for the Holy Sacrament, Ch...

The Mass «a la moda valenciana» by Sebastián Durón is written for 10 voices distributed in three choirs. The first choir is for two soloists sopranos. Precisely, the epigraph «a la moda valenciana» se...

Although Antonio Literes is mainly known for his theatre music, we know that he composed abundant religious music for the Royal Chapel in Madrid, as witnessed, for example, by the works preserved in t...

José de Nebra was born in Calatayud in 1702. At the age of 17 he was already working in Madrid as organist at the Monastery of the Descalzas Reales. In the 1720s he began to compose for Madrid's publi...

With this volume we begin the edition of the great Latin sacred works by José de Torres (ca. 1670-1738), organist and then chapel master of the Royal Chapel of Madrid. The Laetatus sum a 5 «sobre los...

We have published in these volumes sacred works by the famous harpist and composer Juan Hidalgo Polanco (1614-1685). The present volume contains tonos or villancicos for one, two, three and four voice...

La cantate "Wie schön leuchtet der Morgenstern" (BWV 1) a été composée le 25 mars 1725, alors que la fête de l'Annonciation coïncidait avec le dimanche des Rameaux. Le librettiste inconnu a conservé l...

Urtext de la Nouvelle Edition Bach - Cantata for Easter Sunday. Soprano solo, Alto solo, Ténor solo, Basse solo, Choeur mixte-SATB ; Trompette/ Cornetto/ Zink, Trombone (3), Cordes, Basso continuo - r...

L'oratorio de Bach pour l'Ascension a été composé à Leipzig en 1735. En termes d'ampleur, il correspond à une cantate, mais en termes de choix de texte, il peut être classé comme un oratorio. En plus...

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe