Mike Rossi : Partitions moyen

In K.G. Cape Town the wind instruments whirl over a pedal, with the drums navigating between solo and accompaniment. The piece is dedicated to Rossi's friend, the drummer Kevin Gibson.

This piece follows the standard AABA form and should be played half-note equals 104-116. Be careful not to play it too fast as the horns will have difficulty with the melody and interlude.The melody i...

As an American jazz artist and educator based in South Africa since 1999, this is one in a set of pieces that reflect my musical and other experiences in this fascinating country. Kwazulu Zam was comp...

This tune's form is easily recognizable as a blues. What makes it fun and interesting to play is how the melodic ideas are contrasted over changing rhythmic feels. The piece starts off with a familiar...

This piece originated from my days in Boston in the mid-1980s as a graduate student and as part of the New England Conservatory Honors Jazz Ensemble, which performed music from across many wide rangin...

In August of 2010 I 'arrived' in the Abruzzo Region of Italy following an invitation to perform there with a wonderful pianist and grande amico Walter Gaeta who hails from Lanciano. While on tour, Wal...

Buon Giorno Le Marche was inspired by a number of events that took place in 2011. After a 2010 tour to the Abruzzo region of Italy where my grandfather originates from, I performed a number of concert...

As an American jazz artist and educator based in South Africa since 1999, this is one in a set of pieces that reflect my musical and other experiences in this fascinating country. Night Fright! - Ubus...

As an American jazz artist and educator based in South Africa since 1999, this is one in a set of pieces that reflect my musical and other experiences in this fascinating country. Yearning - Ukulangaz...

Scungulli was inspired by a popular Italian-American mussels dish. Just like their merging of languages and (food) cultures, jazz scales and fresh harmonic nuances are combined in Scungilli. A medium...

The Forty Club is a blues in D major in 12/8 feel. The special thing about it is that the first and second part respectively can also be played by either violin, oboe, flute, or clarinet.