Gustav Holst : Partitions moyen

Written by Holst in 1910 for choir and orchestra, this arrangement provides the important lines from all voices woven into a single musical fabric. The interplay of the traditional carols in this work...

Holst masterfully blends variations on In dulci jubilo' with 'God Rest Ye Merry Gentlemen,' 'Come Ye Lofty, Come Ye Lowly,' and 'The First Noel.' The textures are wonderful; he jumps between carols an...

Written by Holst in 1910 for choir and orchestra, this arrangement provides the important lines from all voices woven into a single musical fabric. The interplay of the traditional carols in this work...

This monumental piece for concert/military band works very well for this instrumentation. To balance colours and dynamics, the piccolo trumpet and e-flat trumpet are used to perform the original woodw...

An episode from the Mahabharata. For Soprano, Tenor and Bass soloists, Female chorus and orchestra consisting of 2 Flutes, English Horn, 2 String Quartets and Double Bass.

Composer's NoteThis piece is intended for performance in the open air, or else in a small building. When performed out of doors there should be a long avenue or path through a wood in the centre of th...

This beautiful folk melody will capture the hearts of students and audiences. Originally scored for large orchestra, this string arrangement captures the essential qualities often heard in the English...

Cette œuvre, qui accompagne l'édition historique de Lincolnshire Posy de Fennell, est indispensable à toute bibliothèque d'orchestre sérieuse. La partition et les parties sont basées sur des sources o...

Gustav Holst a été directeur de la musique à l'école de filles St. Paul's à Hammersmith, Londres, entre 1905 et 1934. Intitulée à l'origine Suite in C, la St. Paul's Suite de Holst est l'une des nombr...

This is sure to be one of those orchestral transcriptions that finds a permanent place in the realm of concert band literature. Holst's ability to develop and explore folk melodies with rich, lyrical...

English composer Gustav Theodore Holst, most famous for his orchestral suite The Planets, had a style many of his contemporaries, even admirers, found austere and cerebral. Love Is Enough is a four-p...

Les violoncelles 1 et 2 sont en clefs de sol et de ténor, mais tout le monde y trouve son compte. Cette pièce devrait être accessible à un ensemble de lycéens accomplis.

Les violoncelles 1 et 2 sont en clefs de sol et de ténor, mais tout le monde y trouve son compte. Cette pièce devrait être accessible à un ensemble de lycéens accomplis.

This piece started out as a theme from the Jupiter movement of Gustav Holst's orchestral suite The Planets. Later, Ralph Vaughan Williams and Holst himself adapted poems to fit the tune, and today ove...

Cette transcription spectaculaire offre aux orchestres à cordes une alternative à la St. Paul's Suite de Holst. Basée sur sa deuxième suite pour orchestre d'harmonie, cette version comprend Song of th...

Cette transcription spectaculaire offre aux orchestres à cordes une alternative à la St. Paul's Suite de Holst. Basée sur sa deuxième suite pour orchestre d'harmonie, cette version comprend Song of th...

Cette transcription spectaculaire offre aux orchestres à cordes une alternative à la St. Paul's Suite de Holst. Basée sur sa deuxième suite pour orchestre d'harmonie, cette version comprend Song of th...

This spectacular transcription offers string orchestras an alternative to Holst's St. Paul's Suite. Based on his Second Suite for Band, this version features Song of the Blacksmith and Dargeson. Writt...

Featuring a variety of themes, the strength of this striking arrangement depends upon the contrasts in dynamics, styles and tempos that Caponegro has clearly indicated. While the music is not quite co...