George David Weiss : Partitions moyen

Enregistrée à l'origine par Elvis Presley, cette ballade puissante est devenue un standard durable enregistré par d'innombrables artistes au fil des ans. James Swearingen nous propose une version pour...

Originally made famous by Louis Armstrong and most recently recorded on Kenny G's new CD, this is a natural choice for a vocal soloist. Beautiful melody in a lush setting.

Bernaerts Pop Music-Series.

Originally recorded by Elvis Presley, this powerful ballad has become an enduring standard recorded by countless artists over the years. James Swearingen brings us a beautifully scored version for ban...

The signature tune from one of the world's most popular musicians, arranged for piano and voice, with guitar chord boxes.

This timeless song, originally recorded by Louis Armstrong, is heard on the newest Kenny G album, cleverly incorporating Louis' voice with Kenny's sweet saxophone. Richard Saucedo brings us this flexi...

Tout le monde connaît cette chanson ! Un groove 12/8 joué à 72 BPM donne à ce morceau une allure paresseuse et détendue. La tessiture de la trompette solo va jusqu'au la au-dessus de la portée. Pas de...

One of the all-time favorites from none other than the King! This 12/8 classic croons with romance in a warm and wonderful setting by Ed Lojeski. Full harmonies, easily sung. Available: SATB, SAB, SSA...

George Shearing wrote 'Lullaby of Birdland' in 1952 for Morris Levy, the owner of the New York jazz club Birdland. Levy had got in touch with Shearing and explained that he'd started a regular Birdlan...

What a Wonderful World" est le titre d'un lied bien connu, écrit par Louis Armstrong et repris par certains artistes. Die erste Strophe des Textes lautet : Je vois des arbres verts, des roses rouges a...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

This wonderful tune from the early '60s has become a standard recorded by countless artists over the years, most notably Nat King Cole. Mark's setting as a solo feature for alto sax is in a smooth and...

This wonderful tune from the early '60s has become a standard recorded by countless artists over the years, most notably Nat King Cole. Mark's setting as a solo feature for alto sax is in a smooth and...

This wonderful tune from the early '60s has become a standard recorded by countless artists over the years, most notably Nat King Cole. Mark's setting as a solo feature for alto sax is in a smooth and...

Everyone knows this song! A 12/8 groove played at 72 BPM makes this chart feel lazy and relaxed. Lead trumpet range is to A above the staff. No solos, just sweet ensemble all the way.

Everyone knows this song! A 12/8 groove played at 72 BPM makes this chart feel lazy and relaxed. Lead trumpet range is to A above the staff. No solos, just sweet ensemble all the way. (3:22)

Everyone knows this song! A 12/8 groove played at 72 BPM makes this chart feel lazy and relaxed. Lead trumpet range is to A above the staff. No solos, just sweet ensemble all the way.