Eduard Pütz : Partitions moyen

Tango - une danse, un genre musical, une façon d'exister, 'une pensée triste que l'on peut danser' (comme disait un compositeur de tango). Les termes et les définitions sont aussi variés que l'éventai...

Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduar...

Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduar...

Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduar...

Eduard Pütz is concerned with crossing the boundaries between so-called 'serious' and light music. His 'Blues Fantasy for 6 cellos' is eminently suitable for this purpose, being expressive as well as...

Composed in 1976, the piano work 'Litaniae alla cinque' of the composer from Cologne refers to the famous fifth chapter of the Epistle of James in which the vanity of riches is described in drastic wo...

Dans sa musique, Eduard Pütz allie des critères stylistiques contemporains à des éléments de jazz. Il composa son Blues for Benny en 1991 pour le concours « Jugend musiziert ».

In his works, Eduard Pütz (1911-2000) sought to overcome the boundaries between different genres of music. He often mixed classical elements with stylistic features from jazz and popular music.

In his works, Eduard Pütz (1911-2000) sought to overcome the boundaries between different genres of music. He often mixed classical elements with stylistic features from jazz and popular music.

In his works, Eduard Pütz (1911-2000) sought to overcome the boundaries between different genres of music. He often mixed classical elements with stylistic features from jazz and popular music.

In his works, Eduard Pütz (1911-2000) sought to overcome the boundaries between different genres of music. He often mixed classical elements with stylistic features from jazz and popular music.

The Sonata for Viola and Piano (1984) is not based - as is common in the 'classical' sonata form - on the dualism of two opposing themes. The dialectics are in the juxtaposition of two homogenous move...

Dans ses ' Poèmes ', le compositeur de Cologne Eduard Pütz (1911-2000) utilise des textes de Shakespeare, Pétrarque, Maíakovski, Heine et Verlaine. Remarquable musique évocatrice sur de grands textes...

Eduard Pütz was inspired to write this piano piece by the poem 'Hälfte des Lebens' by Friedrich Hölderlin. In this composition, the two thoughts of the fullness of life (youth) and the expectation of...

Blockflöte (wechselnd Sopranino-Blockflöte, Sopran-Blockflöte, Alt-Blockflöte, Tenor-Blockflöte, Bass-Blockflöte), Celesta und Gitarre

The nature of jazz has its roots in improvisation. The Jazz Sonata contains written-out pieces which correspond with improvised figures and formulae of jazz, while at the same time combining specific...