Duke Ellington Partitions pour big band

Arranged especially for the USAF Airmen of Note, this alto ballad is outstanding in every respect. The introduction features 'bones playing the bridge, followed by the A section statement with alto an...

A beautiful alto saxophone ballad, the tempo is around 72 BPM and the instrumentation is 5 saxes, 1 trumpet, 3 trombones, piano, bass, drums. Edited and adapted in exacting detail.

A beautiful alto saxophone ballad, the tempo is around 72 BPM and the instrumentation is 5 saxes, 1 trumpet, 3 trombones, piano, bass, drums. Edited and adapted in exacting detail.

A beautiful alto saxophone ballad, the tempo is around 72 BPM and the instrumentation is 5 saxes, 1 trumpet, 3 trombones, piano, bass, drums. Edited and adapted in exacting detail.

Oh yeah, a beautiful straight-eighth Ellington ballad. Played around 84 BPM with gorgeous voicings throughout, written-out solos for tenor and trombone, very easy brass ranges, all the usual optional...

Here's a classic Ellington ballad cast for small band and featuring tenor sax. Wonderful reharmonizations and skilled scoring.

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

A superb feature for baritone saxophone, this is certainly one of Ellington's more beautiful melodies and another winning chart from master arranger Dave Wolpe. The perfect ballad showcase for your ba...

Jazz at Lincoln Center Library. is an exciting project under the artistic direction of Wynton Marsalis that is dedicated to the preservation of the jazz style and designed to honor the greats of jazz...

Warner Bros. Publications is proud to present this important series, Jazz at Lincoln Center Library. Each selection was selected by the Center's musical director, Wynton Marsalis. Each transcription i...

This arrangement was written by Billy Strayhorn in 1963 and was first performed in Sweden on March 9, 1964. While on tour in Europe during that year Ellington introduced several pieces as Impressions...

In early 1967 Strayhorn, who was suffering from esophagael cancer and the effects of radiation treatment, set out to compose a multi-movement work in which one of sections was to be titled Blue Cloud....

As recorded by the Stan Kenton Orchestra and Jean Turner

Absolutely dripping with the blues, here is a sultry version of the Ellington classic that features trumpet and trombone as they cry out the plaintive melody. Written in a call and response style, thi...

Rick Stitzel habille habilement cette mélodie étonnamment simple avec des contre-lignes et des partitions solides pour le format petit big band. Des solos sont prévus pour le sax alto et la trompette,...

Finally, this Ellington classic is available for even the most inexperienced bands. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counte...

Absolutely dripping with the blues, here is a sultry version of the Ellington classic that features trumpet and trombone as they cry out the plaintive melody. Written in a call and response style, thi...

Rick Stitzel habille habilement cette mélodie étonnamment simple avec des contre-lignes et des partitions solides pour le format petit big band. Des solos sont prévus pour le sax alto et la trompette,...

Finally, this Ellington classic is available for even the most inexperienced bands. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counte...

Nelson wrote an album for Johnny Hodges (Black, Brown and Beautiful, RCA) featuring the compositions of Duke Ellington and also some of his original things. This Ellington tune just romps and stomps r...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...