Duke Ellington Partitions pour big band

Arranged especially for the USAF Airmen of Note, this alto ballad is outstanding in every respect. The introduction features 'bones playing the bridge, followed by the A section statement with alto an...

This arrangement, first known as Elf, was originally written sometime in 1963. It was first recorded in New York on July 18, 1963. The title had been changed to Isfahan sometime before the Duke Elling...

Here's a classic Ellington ballad cast for small band and featuring tenor sax. Wonderful reharmonizations and skilled scoring.

This classic New Orleans standard has been given the full Ellington treatment - with a beautiful alto opening, and solos for baritone sax, trumpet, and clarinet.

Rick Stitzel habille habilement cette mélodie étonnamment simple avec des contre-lignes et des partitions solides pour le format petit big band. Des solos sont prévus pour le sax alto et la trompette,...

This production number for young players offers a perfect way to honor the music of the legendary Duke Ellington Orchestra. This swingin' medley takes you through the well-known standards C-Jam Blues,...

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

Réunissez le brillant compositeur Billy Strayhorn et le superbe arrangeur Alan Baylock, et vous obtiendrez une expérience musicale exceptionnelle. C'est le morceau pour saxophone alto que vous recherc...

'Total Jazz' is a shuffle blues chart in G. This flexible head chart can be opened up for any soloist, and features great riffs that go into a 3/4-time coda.

contient un chacun : SATB, SSAA (opt.), Vocal Solo (opt.)

Here's a new twist on an old classic! If you're looking for something a little different, Mark's fast samba may be just right for you. Features Trombones off the top, then later a sax soli followed by...

Here's a fresh version of this Ellington classic done in a Latin style that really sizzles. Solid and creative writing for the entire ensemble.

From John La Barbera's latest big band recording, here is the title cut - a masterful arrangement of this little-known Ellington gem. The tempo is moderate in an African/Latin vein and features a weal...

Michael Mossman uses a moderately fast Afro-Cuban style to craft this setting of Duke Ellington's lesser-known work. This striking and fresh-sounding chart features tight harmonies and a driving rhyth...

The lush harmonies and flowing melody of this Ellington favorite are set in a medium samba style in this creative arrangement that takes full advantage of the six-horn format. In addition to full ense...

From Duke's Latin American Suite, 'Brasilliance' has a driving tenor feature with an exotic groove. This work is modal in nature with modern unison lines and rhythms.

This fresh setting of Ellington's immortal standard gives it a unique salsa twist! Though the vocalist (or tenor sax) is the primary feature, this chart showcases the whole band's ability to establish...

Big Band music at its best! - 'I'm Beginning To See The Light' des großartigen Duke Ellington war 1944/45 gleich in mehreren Versionen in den amerikanischen Charts vertreten; neben der Aufnahme des'Du...

The Robbie Williams School Band Chart specially written for student/amateur swing bands. In addition to the usual 8 Brass and 5 Saxes we have included optional Flutes, Clarinets and Horn in F. Very sa...

Classic Ellington swinger! Gordon's medium tempo chart features the saxes at the start and them lets the ensemble carry it and build to the Alto solo. This one goes down smooth.

In this Ellington favorite, John Berry stays true to the original medium slow swing in a well crafted arrangement that is very playable by inexperienced bands. Alto sax is featured at the top and late...

Originally arranged for Ernie Andrews, this hard-swinging chart provides a real workout for band and vocalist alike. The blues-infused style features interplay between the singer and the band as well...

Maybe not as well-known as some other famous Ellington standards, yet What Am I Here For? is an engaging and tuneful composition that certainly deserves more notice. Arranged in a medium swing style,...

Nobody could swing like the Duke! Here is his medium swing standard In a Mellow Tone skillfully arranged for the six-horn format that also includes solos for trumpet and alto sax. The shout chorus is...