Duke Ellington Partitions pour big band

Finally, this Ellington classic is available for even the most inexperienced bands. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counte...

Finally, this Ellington classic is available for even the most inexperienced bands. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counte...

Finally, this Ellington classic is available for even the most inexperienced bands. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counte...

Finally, this Ellington classic is available for even the most inexperienced bands. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counte...

Finally, this Ellington classic is available for even the most inexperienced bands. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counte...

Finally, this Ellington classic is available for even the most inexperienced bands. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counte...

Finally, this Ellington classic is available for even the most inexperienced bands. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counte...

Finally, this Ellington classic is available for even the most inexperienced bands. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counte...

With its hip chord changes and riffy melody, this tune became an instant jazz standard. Ellington's 1933 chart starts out sedately, but quickly shifts gears to swinging figures and modern voicings. Ot...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...