Chœur mixte avec piano

Jeff Funk's creative new lyrics and the traditional Ukrainian Bell Carol combine to give us a fresh approach to a long standing Christmas favorite. Add a touch of class to your holiday concert with th...

Oh Shenandoah dates back to the early nineteenth century, with possible origins in Virginia. Sometimes referred to as a 'shanty' song because of its refrain ('away, you rolling river,' etc.), its lyri...

Écrit dans un style gospel vif et énergique, Brian Tate déploie ses talents à la tête de la Vancouver Island Gospel and World Music Choir, qui compte 200 voix. Un succès garanti, quel que soit l'endro...

Based on the traditional African American spiritual, this setting depicts the story of Noah and the flood. After the baritone soloist introduces the chorus of the spiritual, the SATB choir responds wi...

Recorded by First Call, this exciting work, based on All Creatures of Our God and King and paired with a powerful African chorus, features fiery syncopations, opportunities for soloists and a full com...

This powerful gospel original longs for world peace with a deliberate 3/4 groove that explodes into a revival-style tag. Two brief solos are not difficult to sing, but enhance the gospel style. Add th...

Written in the style of a spiritual, this original gospel tune will be a highlight this Christmas season. Featuring call-and-response voicing, stylized articulation, and dramatic dynamic shifts, there...

Here's a beloved American spiritual, sensitively prepared for school and church singers by Victor C. Johnson. The familiar strophic melody is fully arranged with progressively richer sonorities throug...

In the winter of 1932, Duke Ellington; consumate jazz pianist, composer and orchestrator; released It Don't Mean A Thing (If it ain't Got That Swing) which included live vocals by Ivie Anderson. A sig...

This Academy Award winning song of 1961 by Henry Mancini and Johnny Mercer gets a Basie-esque treatment in this swinging chart. Set in a 4/4 swing over walking bass, the vocal and instrumental lines p...

Standard du jazz dans tous les sens du terme, cette chanson de Jimmy McHugh et Dorothy Fields a fait l'objet d'innombrables interprétations et reprises depuis 1930. Polyvalent et vivant, cet arrangeme...

Deux des chansons les plus entraînantes d'Irving Berlin sont ici parfaitement mariées dans ce swing amusant, parfait pour les voix mixtes de tous âges ainsi que pour les chœurs et ensembles d'hommes....

Who else but Mark Hayes could take this Gershwin masterpiece and make it into an absolutely rip-roaring, no-holds-barred choral work. You want rhythm? You'll get it, in more ways than you can count in...

C'est le poème classique de Noël avec une touche de jazz qui swingue ! Une ligne de basse entraînante et des claquements de doigts en arrière-plan accueillent les premiers vers, prononcés stylistiquem...

Un thème doux-amer en mode mineur soulève une émouvante prière pour la paix dans cet octavo expressif. La phrase latine familière "Dona nobis pacem" est placée musicalement en dialogue avec les voix a...

The first that captures your attention is the vibrant keyboard part. Kevin Memley is obviously a pianist and sets the energy flowing from the start. Then comes this melody that feels like long, rollin...

Celebrate Christ's resurrection not only on Easter Sunday, but year round with this victorious song from modern hymnwriters Keith and Kristyn Getty. Present with choir and piano, or use the authentic-...

Blessed is he that comes in the name of the Lord. Set in an expressive 3/4 meter, the Latin text and carefully crafted vocal textures create a wonderful harmonic work. Ideal concert/festival use, it m...

A classic prayer is caressed with winsome music in this brief and beautiful offering. Meeting the constant need for effective worship responses, this piece rises above utility and achieves the rare go...

There is a gentle country feel to this worshipful ballad, which calls for God's Spirit to draw us into a closer relationship with Christ. A good balance of unison/two-part writing and richer four-part...

Rhythmic and energetic are perfect adjectives for this original song by John Leavitt. The piano part stands alone but when the string bass and percussion are added this becomes a special moment in you...

First released in SSA, then SAB, the enthusiastic response demanded this SATB setting. Delightfully arranged and with excellent historical notes, it is both fun and educational. A wonderful festival p...