Chœur mixte avec piano

A state and festival piece by David Schwoebel that incorporates the hymn tune, showy, but not difficultSATB, piano accompaniment, optional organ and brass, optional congregation

Instrumentation: piano or harp and oboe, or woodwind quartet of flute, oboe, clarinet, and bassoonThis familiar text is set to a traditional tune from Normandy. The score and quartet parts are availab...

Neil Harmon's arrangement of this traditional carol is scored for mixed chorus with piano or harp and oboe, or for a quintet of flute, oboe, clarinet, horn in F, bassoon, and a harp. Try this piece al...

This is a highly successful arrangement of the traditional tune from the 1582 Pie Cantiones the piece is set for mixed chorus with piano or harp and oboe, or a quintet of flute, oboe, clarinet, horn i...

A church musician himself, Neil Harmon writes exceedingly well for the church choir. As is the case here, many of his seasonal works are accompanied by a chamber ensemble (here for flute, clarinet, F...

In Bill Snedden's setting of this beloved text, he pairs it with a lovely new tune for SATB chorus with harp or piano and optional flute, a great addition to any holiday concert.

This is a bold reimagining of Hildegard's chant, both tune and text. Actively quoting the source material, DiOrio's setting takes Hildegard's music as a launching point from which to imagine new sonic...

This setting of three stanzas from 'For the Fallen' is poignant and atmospheric. A serene refrain for unison voices is interposed between evocatively turbulent passages for SATB choir. The accompanime...

A beautiful 6-part unaccompanied Marian motet written for the Marian Consort. The work combines reminiscences of Renaissance settings of this text with McDowall's distinctive contemporary voice.

Remplissez donc le verre d'adieu. Bonne nuit et que la joie soit avec vous tous. Cette chanson celtique traditionnelle constitue un merveilleux numéro de clôture ou de rappel pour un concert. Opt. flû...

Here is the beautiful final movement from Giacomo Carissimi's oratorio Jephte. Originally for SATB choir, soloist, narrator and instruments, here is a new arrangement for men that allows them to explo...

This is a bold reimagining of Hildegard's chant, both tune and text. Actively quoting the source material, DiOrio's setting takes Hildegard's music as a launching point from which to imagine new sonic...

This beautiful and much-loved Somerset folk-song was originally from No. 2 of Five Traditional Songs arranged for mixed choir by John Rutter. Offprinted from John Rutter Choral Works for TTBB choirs.

Une mise en musique élargie de l'hymne bien connu de Robert Lowry. Le morceau commence simplement et se développe progressivement dans la division des parties vocales pour produire une expérience rich...

Le titre de cette œuvre en six mouvements est tiré de Troïlus et Cressida de Shakespeare : "Une touche de nature rend le monde entier plus beau". À travers une compilation de textes d'écrivains tels q...

One of Mozart's most memorable melodies is placed in an easy range for young 2- and 3-part singers. Supported by a simple piano accompaniment, enhanced with an optional instrumental obbligato, and com...

One of Mozart's most memorable melodies is placed in an easy range for young 2- and 3-part singers. Supported by a simple piano accompaniment, enhanced with an optional instrumental obbligato, and com...