Chœur mixte a capella

This is an exuberant setting of Psalm 95. A memorable rhythmic pattern is established by the organ toccata as it alternates between 4/4 and 7/8 for the outer sections of the anthem. The inner section...

For SATB with divisions and organ. This canticle sets a text by the distinguished American hymn-writer Thomas Troeger. It includes an a cappella verse for textural contrast; a soprano descant brings t...

For SATB with divisions unaccompanied. This beutiful canticle sets a text by the distinguished American hymn-writer Thomas Troeger. Suitable for Easter and throughout the year.

For SATB with divisions unaccompanied. This canticle sets a text by the distinguished American hymn-writer Thomas Troeger. It enlivens Troeger's already joyful text with an exciting 7/8 rhythm and a t...

For SATB unaccompanied. This short, contemplative anthem serves as an ideal introit for church services or as a short mediation piece at Communion during Lent. This contemporary setting presents the t...

For SATB unaccompanied. These short motets (Bread of Heaven and Bread of the World) are accessible by any church choir. The text makes them appropriate for any time during the church year, but they co...

The Musica Dei donum series makes accessible to performers a variety of interesting and generally lesser-known Renaissance vocal works. The titles in the series are presented in practical format, with...

The Musica Dei donum series makes accessible to performers a variety of interesting and generally lesser-known Renaissance vocal works. The titles in the series are presented in practical format, with...

For SATB and organ with optional strings. This setting invites the congregation to join in with several of the verses. Verse 1 is sung in unison, verse 2 is men only, verse 3 is a capella, and verse 4...

for soloist and SATB unaccompanied The text is a compilation of various spiritual texts. It is written in the style of an African American Spiritual, but with a contemporary flair. This is jubilant ch...

For SATB with divisions, unaccompanied Choirs will enjoy singing the lush, expanded harmonies in this short, breathtaking anthem. The fourteenth-century text is used widely during communion, but is al...

For SATB unaccompanied. No. 1 of Three Spirituals. This lively spiritual setting is perfect for all choirs looking to energize any church service or concert. A chromatic modulation jump starts each ne...

For SATB unaccompanied. In this haunting and plaintive setting of the classic spiritual, Warren creatively evokes a stark tone of loneliness and despair with descending chromatic inner voices in the o...

For SSAATTBB unaccompanied. This rhythmic and spirited setting of the familiar hymn is perfect for large choirs either as a commemoration piece or in a concert setting.

For SATB unaccompanied. Right from the first bar, this upbeat, refreshing arrangement of the African American spiritual will catch the attention of the performer and audience. Culminating in six-part...

For SATB unaccompanied. This is a lush setting of three poems by Sara Teasdale who, in 1918, won the precursor to the Pulitzer Prize for Poetry. This piece would make a welcome addition to the reperto...

Oxford Music from Canada is a new series of choral pieces by significant Canadian composers that reflect the themes and texts of Canada. for SATB unaccompanied Chatman captures the true spirit of a lo...

For SATB unaccompanied. The music opens with 'oos', and, after a pause, the choir enters, singing in Latin, sempre legato. Bassi writes lush choral lines with suspension after suspension, which result...

A setting of a poem by Ursula Wood, later to become Ursula Vaughan Williams. The dedication reads, 'To the memory of Charles Villiers Stanford, and his Blue Bird'.

For SATB Choir a cappella. Arranged by J. Michael Diack.

Each of the five connected movements in this choral cycle contains references to 'Light, ' assembled from various sacred Latin texts. I composed Lux Aeterna in response to my mother's final illness an...

Each of the five connected movements in this choral cycle contains references to 'Light, ' assembled from various sacred Latin texts. I composed Lux Aeterna in response to my mother's final illness an...

Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes, the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke'...