Chœur mixte a capella

The second of four madrigals on rose texts, 'Now Sleeps the Crimson Petal', for SATB (with divisi). Commissioned by John Armitage Memorial and first performed by the joint choirs of the University of...

Four madrigals on rose texts, 'Now Sleeps the Crimson Petal', for SATB (with divisi). Commissioned by John Armitage Memorial and first performed by the joint choirs of the University of St Andrews Cha...

Paul Mealor's The World, The Clustering Spheres from Praise for soprano solo, SATB divisi chorus and optional Tibetan Singing Bowl.

Anthem To St David is a beautiful choral piece setting a poem by Gordon Graham expertly composed for SATB choir by Paul Mealor. Anthem To St David was composed for the centenary celebration of R. S....

A Welsh Prayer is a setting of a poem by Grahame Davis for SATB Choir and two Harps composed by Paul Mealor. A Welsh Prayer was commissioned by Holywell Music and the North Wales International Music F...

Paul Mealor's Hush! my dear, lie still and slumber, for SATB divisi chorus, had its World Premiere at St Sepulchre without Newgate London Youth Choir on the 17th March 2014.

The Shadow Of Thy Cross by Paul Mealor was commissioned for the centenary of the First World War service for the commonwealth, Glasgow cathedral Monday 4th august 2014.

The classic Michael W. Smith song has been arranged in an earnest, prayer-like setting by Jack Schrader. The addition of an original counter-melody heightens the drama at just the right moments in thi...

Besetzung: SATB Satz (Volkslied aus Dänemark)

Besetzung: SATB + S-Solo (ad lib.) Satz (Volkslied aus Finnland)

Besetzung: SATB Satz (Volkslied aus Spanien)

Besetzung: SATB Satz (Volkslied aus der Slowakei); dt.Text: Herbert Paulmichl

Volkslied aus Tschechien; dt.Text: Herbert Paulmichl

Besetzung: SATB Satz (Volkslied aus Gotland); dt.Text: Herbert Paulmichl

Besetzung: SATB Satz (Volkslied aus Griechenland); dt.Text: Herbert Paulmichl

Besetzung: SATB; SATB, S-Solo Doppelkanon; Liturgischer Text

Sixteenth Century, for SATB Choir, ascribed by 1700 both to Richard Farrant and John Hilton. Edited by Watkins Shaw.