Chœur mixte a capella

From the collection Epiphany to All Saints for Choirs, this prayer for the feast of the Presentation of Christ in the Temple is in the style of plainsong and features a flexible time signature.

Setting a text by Elizabeth Barratt Browning, this thoughtful and evocative piece compares a dying relationship with the changing of the seasons from summer to winter. Also available in versions for s...

The Windows was commissioned by Lincoln Cathedral to celebrate the unveiling of the restored Dean's Eye Window. The text is by George Herbert (1593 - 1633), one time Canon of Lincoln. It was premièred...

The Windows was commissioned by Lincoln Cathedral to celebrate the unveiling of the restored Dean's Eye Window. The text is by George Herbert (1593 - 1633), one time Canon of Lincoln. It was premièred...

Commissioned by the Indianapolis Youth Chorale for their performance in the Meyerson Symphony Hall in Dallas for the 2013 ACDA convention, this thrilling sacred work showcases mixed voices with piano...

James Whitbourn's Set Me As A Seal Upon Thine Heart for SATB and Organ.

Morning Hymn, Pastoral Hymn and Evening Hymn: Extending the British choral tradition in a challenging, yet approachable way, Nicholas Maw's potent settings are a thrilling sing for competent choirs.

Setting a brooding text from Ecclesiastes, this five-minute anthem by the acclaimed composer Thomas Adès is a powerful work full of dark beauty with an atmospheric organ accompaniment.A part of the Fa...

This setting of a 'A Celtic Prayer' was written when the composer was a tenor lay-clerk in chester cathedral choir. The piece can be performed as an anthem but was originally intended as a blessing at...

Also available from David Bednall: The Souls of the Righteous SATB (Mixed Voices & Accompaniment) Hail, Gladdening Light SATB Divisi (Mixed Voices & Accompaniment) If Ye Love Me SATB (Mixed Voices)

Version for SATB Choir and Organ (Piano).

This is the classic G. Schirmer edition of Mozart's famous work, now newly engraved. Available separately, the VoiceTrax CD features part-predominant tracks to assist your singers in individual practi...

Not no faceless Angel is a beautifully reflective work. Originally commissioned by Joy Hill and the RCM Junior Department, the work is a sensitive setting of words by Tanya Lake. The themes of loss an...

This is Chilcott's first setting of the Evening Service, written for the Choir of Downing College, Cambridge. The Magnificat is a powerful setting of the Canticle of Mary, with homophonic textures and...

Commissioned by the choir of Merton College, Oxford, In the beginning was the Word provides a welcome musical setting of this iconic biblical text. Suitable for use throughout the church year. 32 page...

The four motets in this set are adapted from Bob Chilcott's large-scale choral work, Salisbury Vespers, which was premiered in Salisbury Cathedral in May 2009. The motets can be performed as a set or...

This Magnificat and Nunc Dimittis setting was written for the choirs of two churches in Brighton. It was conceived to be performed by amateur choirs, and achieves this level of accessibility whilst st...