Chœur de femmes avec orgue

Setting inspiring words by James Weldon Johnson, this work is both poignant and stirring, encouraging singers and listeners to reflect on the challenges of present times and to move forward with coura...

Heart of Earth présente des extraits de poèmes de Laura Purdie Salas qui sont riches en descriptions vivantes du monde naturel. Mme Rajasekar a été attirée par ces textes en raison de la manière dont...

Keeping Time for Joy de Marie-Claire Saindon regorge de la joie contenue dans le texte de l'écrivaine contemporaine Sarah Windle. Des mélodies scalaires de type folklorique, imprégnées d'élan grâce à...

Dédiée aux "sœurs du monde entier", cette œuvre en trois mouvements combine un certain nombre de thèmes à travers la poésie de Sara Teasdale. Le premier mouvement, "Sister of the Sky", se concentre su...

for SSAA unaccompanied Une interprétation simple et tendre du célèbre poème de William Blake, particulièrement adaptée aux jeunes voix.

For SSAA unaccompanied - The texts are translations of ancient Chinese poems.

Une présence féminine énigmatique tourbillonne dans une volubilité sombre et inquiète, avec des phrases courtes et tranchantes : cette première moitié du poème " Fantôme " de Florence Delay est comme...

Olli Kortekangas suite in four movements (text in Finnish) is suitablbe for juvenile choir.

Tre naturscener for descant choir (1976-77, rev. 2016) by Lars Karlsson is set to Gustaf Fröding's vivid poems in Swedish.

Composed in 2016 for the Maîtrise de Radio France, 'Ce n'était pas nous' for upper voices sets short poems by Antoine Thiollier which are at once playful and serious.

A collection of SSAA Barber Shop pieces.

This is classic American choral writing. Opens with a legato 'oo' passage which may be performed a cappella. Comfortable ranges. A timeless addition to your choral library.

This is classic American choral writing. Opens with a legato 'oo' passage which may be performed a cappella. Comfortable ranges. A timeless addition to your choral library.

An original work for 3-part choirs (mixed or treble) in an authentic madrigal style, complete with fa-la-la refrain. Opening section features independent vocal writing; 'B' section is homophnic. Class...

An original work for 3-part choirs (mixed or treble) in an authentic madrigal style, complete with fa-la-la refrain. Opening section features independent vocal writing; 'B' section is homophnic. Class...

An emotional and electrifying new arrangement of a classic American work, with your choice of accompaniment options, including full concert band. Fine choral writing is the hallmark of this work, with...

An emotional and electrifying new arrangement of a classic American work, with your choice of accompaniment options, including full concert band. Fine choral writing is the hallmark of this work, with...

An original, newly composed madrigal written for developing SAB and SSA choirs. Great for any choir of any size learning to sing in the madrigal style. The unique text, written in 1912 by William Jero...

An original, newly composed madrigal written for developing SAB and SSA choirs. Great for any choir of any size learning to sing in the madrigal style. The unique text, written in 1912 by William Jero...

A finely crafted edition of the classic English madrigal. The editing and easy-to-read open score are right on target for today's choirs. Fluid contrapuntal sections contrast with full sounding homoph...

A finely crafted edition of the classic English madrigal. The editing and easy-to-read open score are right on target for today's choirs. Fluid contrapuntal sections contrast with full sounding homoph...

New for SSA and SATB! Russell Robinson has now adapted this widely performed madrigal for treble and SATB choirs. It's superbly reduced to preserve the harmonic and melodic structure of the original 5...

New for SSA and SATB! Russell Robinson has now adapted this widely performed madrigal for treble and SATB choirs. It's superbly reduced to preserve the harmonic and melodic structure of the original 5...

Here's a no-nonsense choral masterwork from the Renaissance era skillfully edited and arranged for SSA voices by Patrick Liebergen. It's canonic in nature, with a strong melody which is echoed by all...