Chœur de femmes a cappella

Våren (Last Spring, Op. 32 No. 2) was the second in a collection of twelve songs, originally for solo Voice and Piano, published in 1881. It takes its lyrics from a poem by the Norwegian poet Aasmund...

Matti Borgs AFTEN (Et hav der vugger sig til ro) arrangeret for lige stemmer SSAA af Michael Bojesen. Tekst af Juliane Preisler. Saertryk fra '13 Nye Hojskolesange' (WH30707).

Gabriel Og Maria af John Hoybye. Juleoratorium for lige stemmer (SSA), recitator, soli, flojte, orgel, klaver og bas (trommer/percussion ad lib.). Tekster af Britt G. Hallqvist. Programnote: I 1985...

The compositional style of this motet demonstrates word-painting and madrigal-like features. It opens with a duet that may reflect the word 'Duo' in the title, and the use of three voices at the start...

Uses: Children, General, Youth Scripture: Psalm 72:3, Isaiah 48:18, Isaiah 66:12 Here is an encouraging and positive statement of faith that will raise spirits from despair to hope. Taken from the ins...

From the collection Hark, hark, the lark, 'When icicles hang by the wall' is a setting by Stephen Hatfield of words from Shakespeare's Love's Labour's Lost. Scored for unaccompanied upper voices, this...

The first section of this original carol by Rosephanye Powell is composed in the style of an African-American spiritual, following a call-and-response pattern, while the second section is in a jubilan...

Based on Psalm 95:1-3

It would be more appropriate to label this piece as a composition for piano and divisi treble voices because the accompaniment is equally significant to the singers. A stimulating and thought-provokin...

Now adapted for SSAA by Richard Gabrillo, Craig Hella Johnson's setting of Dolly Parton's Light of a Clear Blue Morning is infused with light and hopefulness as it opens with a solo soprano and gradua...

Now available in men's and women's voicings! For choirs up to the challenge, this exciting setting of the popular Christmas song features extensive divisi and dynamic range.

Honest, authentic, heartfelt - these are the words that come to mind with this plaintive folk setting for SSA voices. Perform it a cappella, or accompanied by guitar or piano, this selection will insp...

This setting by acclaimed African American writer Paul Laurence Dunbar is in the style of a lullaby, reflective and lyrical. With the flute obbligato evoking the singing bird, the text beckons the lis...

Use your community network to find a banjo player and add some Appalachian flavor to your concert with this fresh setting! A fun novelty feature with banjo and percussion, you can supplement it furthe...

Written for the 2014 Kentucky ACDA Junior High Girls Honor Choir, this Appalachian nonsense song is a whirling, twirling kaleidoscope of sound. An excellent showcase for treble choirs in middle school...

Known for his unique pairing of songs, Craig Hella Johnson has creatively combined the early contemporary Christian song by Larry Norman and Randy Stonehill with the popular favorite from the '60s. A...

Your high school or university women's chorus will be thrilled with this arrangement of a Brazilian folk song about the bamboo tree. Set for SSAA unaccompanied voices, the challenging work is well wor...

This swingy song is absolutely irresistible! Written for three equal voices, this selection begins in unison, expands into harmony, then layers the three melodies before a modulation and return of the...

This expansive work for treble voices gives singers the opportunity to develop their full vocal potential and expressiveness. Voices dialog with each other, with the piano accompaniment and with the f...

The simple Latin prayer expanded with additional English lyrics unfolds naturally in an open, spiritual way. This accessible work makes a wonderful benediction for a concert or service and while writt...

Opening with a slow, unaccompanied statement of the refrain, this contemporary setting of the traditional spiritual then unfolds into a dramatic layering thematic treatment that is tremendously exciti...