Partitions de Chœur et Voix pour tous les ensembles

Paul Drayton's setting of three stanzas from Laurence Binyon's poem 'For the Fallen' is poignant, dignified, and atmospheric. A serene and expressive refrain for unison voices (which the congregation...

This choral octavo is drawn from Larsen's It I am. This is a lovely, hushed and meditative hymn that is simple and eloquent. The brevity and expressive beauty of this piece can be equally used in both...

The World's Desire was commissioned by the Choir of Truro Cathedral for their service of Nine Lessons and Carols in December 2008, to be performed after the eighth lesson. Setting a text by G. K. Ches...

Originally the second movement of Chilcott's choral work Five Days that Changed the World, this setting of words by Charles Bennett reflects on one of the most significant events of our time. The chor...

In this beguiling setting of 'A Dream' from William Blake's Songs of Innocence, Skempton weaves a gentle and chromatic melody through harmonies that are pure yet richly expressive.

In this captivating piece Mahler explores feelings of doubt and insecurity, employing the compelling metaphor of the tide and searching for existential meaning. Bewitching piano cascades and rolling b...

Composed in 1975 for the liturgical greeting of the Right Reverend Paul Moore, Bishop of New York, this energetic motet is based upon the mode 8 plainsong responsory for the reception of a bishop as f...

The strong, no-nonsense tune breaks into canon, while the brisk piano part propels the music to a joyous, 'good cheer' ending. It is No. 3 of a suite of three songs, 'At the Turn of the Year', depicti...

This spacious setting of King Henry VI's prayer 'Domine Jesu Christe' presents a seamless arch of music. The influence of the great Tudor composers is especially evident in the rich, long-breathed 'Am...

Written for St Cecilia's Day 1694, Purcell's Te Deum and Jubilate in D was the first work of its kind to be scored for orchestra, and it became the model for future settings of the text by Blow, Croft...

Phoenix is a series of interlinked, contrasting sections - by turns elegiac, radiant, and menacing - culminating in a luminous cantilena for the four melody instruments against densely clustered chord...

This monumental cantata for massed forces sets a text by Charles Bennett on humanity's negligence towards nature. Creating a unique opportunity for adult and children's choirs to collaborate, it offer...

Yesterday, Today, and Tomorrow is a three-movement work by Bob Chilcott, exploring the concepts of reflecting on the past, living in the present, and not worrying about the future. The words were writ...

An easy anthem for soprano or baritone soloist, with SATB and an instrumental obbligato for flute, oboe, or organ.

This is a beautiful setting of an anonymous medieval text that follows a broken-hearted lover into the woods. Also available in versions for solo high voice and SSA.

Garcia composed Ave maris stella for mixed choir with a small instrumental ensemble of flutes, horns, strings, and organ, presented here in an orchestral reduction by Alec Schumacker. This short hymn...

This accessible Christmas cantata presents a sequence of five carols, McDowall gives the familiar melodies a colourful new harmonic treatment, and the arrangements range in atmosphere from tenderness...

The initial tempo indication of 'Light and lively' aptly describes this carol for choir and piano. The jaunty 6/8 tempo and effervescent piano part propel the music along and underpin highly singable...

Commissioned by the choir of Merton College, Oxford, In the beginning was the Word provides a welcome musical setting of this iconic biblical text. Suitable for use throughout the church year.