Partitions pour instruments

Auch das 2. Heft dieser Sammlung bringt Stücke aus dem 18. Jahrhundert, die heute nicht mehr bekannt sind. Die Literatur für den Unterricht und das Zusammenspiel sollen mit dieser Auswahl bereichert w...

Dans ces duos pour violoncelles, les deux solistes alternent les rôles. Tantôt ils jouent un accompagnement typique à la basse, tantôt la mélodie, et parfois la mélodie est jouée à deux voix en harmon...

The Duets for Strings, Book 1 may be started when the pupil has reached page 9 of Book 1 of the String Builder. They may, however, be used in conjunction with Book 1 of any standard string class metho...

The Duets for Strings, Book 2 may be started when the pupil has reached page 9 of Book 2 of the String Builder. They may, however, be used in conjunction with Book 2 of any standard string class metho...

The Duets for Strings, Book 3 may be started when the pupil has reached page 9 of Book 3 of the String Builder. They may, however, be used in conjunction with Book 3 of any standard string class metho...

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and...

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and...

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and...

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and...

This Chamber Music book is to be started when the pupil reaches page 24 of the Samuel Applebaum String Method. However, it can be used in conjunction with any good string method. Published for two vio...

English organist and composer James Hook (1746-1827) composed sonatas for cello in an elegant style which were first printed in 1783. Up until that time - to our knowledge - modern printing was not so...

Angelo Maria Fiore (c. 1660-1723), composer and virtuoso cellist, was the founder of the Piedmont school. In 1697 he was invited to the Accademia Filarmonica di Bologna as a rare cello player. During...

2 Violoncellos & Piano

2 Violoncellos & Piano