Partitions pour instruments

La Sonatine en sol majeur, H. 262, a été composée en 1937 par Bohuslav Martinu (1890-1959) à une époque où sa renommée internationale ne cessait de croître, peu avant son exil d’Europe face à la monté...

Originally written in 1926 for cellist May Mukle with piano accompaniment, this collection follows the same format for each of the six English folk songs: presentation of the tune in the solo line, fo...

Lorsque Max Reinhardt fut engagé pour mettre en scène une production en langue allemande de MUCH ADO ABOUT NOTHING de Shakespeare à la Volksbühne de Vienne en 1918, il demanda à Korngold de composer l...

« Talahassee », op. 73, n° 4, a été composée vers 1911 par Cyril Scott (1879-1970) dans le cadre d’un recueil de pièces de caractère reflétant sa fascination pour l’exotisme, le mysticisme et les coul...

This new piano reduction (edited by Jani Kyllönen) is based on the Urtext orchestral version. Misprints and misinterpretations found in earlier editions have also been corrected.

Other Finnish works for violin contains twelve pieces for violin and piano. Though brief in duration, most of them were written for concert use, being rich and expressive and, in some cases, technical...

Les arrangements imaginatifs et pétillants de chansons folkloriques finlandaises et hongroises par László Rossa dans cette collection "Musique de chambre pour jeunes instrumentistes à cordes I" offren...

Three pieces for young violin players (2023) de Kalevi Aho célèbre tout le potentiel des cordes à vide, de la première position, des glissandos qui se terminent sur des harmoniques naturelles. Le jeun...

Apostroph is solo music of rare intensity.

Unlike many of Eberl's lesser contemporaries, in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, his Op.14 shares much of the musical ambitio...

Among Vienna's many composers and pianists of the time, Anton Eberl (1765-1807) was the one considered most worthy of comparison with Beethoven. His Sonata in F major, op. 49, probably the first of se...

These works contain some of Boismortier's finest and most accomplished music. Written in the 'Italian' style, they are an extension of his sonata writing for one or two instruments and continuo, and y...

Only a handful of Schreivogel's compositions for his instrument have survived. Among them is this impressive and forward-looking three-movement sonata for violin and continuo in E minor, evidently com...

Joseph Bodin de Boismortier's Op. 20 sonatas for solo violin and basso continuo (1727) are the least known of all his sets of sonatas for one or more violins and accompaniment. These very fine works a...

Joseph Bodin de Boismortier's Op. 20 sonatas for solo violin and basso continuo (1727) are the least known of all his sets of sonatas for one or more violins and accompaniment. These very fine works a...

For nearly 150 years Bach's ever-popular Concerto in D minor for harpsichord (BWV 1052) has been regarded as a transcription of a much earlier violin concerto. Numerous published reconstructions of th...

The six Sonate a due violini e basso, published here for the first time, and known to us through a single non-autograph manuscript preserved in Sweden, are his only compositions in this last-mentioned...

The six trio sonatas published alongside eight violin sonatas in his Op. 4 are works in four or five movements that felicitously mix the 'church' and 'chamber' styles in various configurations. This i...

Michele Mascitti (1663/4-1760), was a Neapolitan violinist who settled in Paris in 1704. This substantial trio sonata, the only one of its type that he published (and perhaps wrote) was included in hi...

The 'divertissement' Psiché, a ten-movement suite for violin and basso continuo by Michele Mascitti (1663/4-1760), the Neapolitan violinist who did more than anyone else to acclimatize the Italian son...