Charles-Marie Widor
Toccata
from Symphony No.5 Op.42
Charles-Marie Widor
Toccata
from Symphony No.5 Op.42
- Formation Orchestre
- Compositeur Charles-Marie Widor
- Éditeur Peter Lawson
- Édition Conducteur et parties
- Maison d’Édition Goodmusic Publishing
- N ° de commande GMCL160
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Description:
Orchestration:
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion ([6 players] Triangle, Tambourine, Side Drum, Cymbals, Glockenspiel, Xylohpone)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Widor's best-known single piece for the organ is the final movement, Toccata, from his Symphony for Organ No. 5, which is often played as a recessional at wedding ceremonies. When an organist hears a reference to 'the Widor', he instantly knows the speaker is referring to the Toccata from Symphony No.5. Widor was pleased with the world-wide renown this single piece afforded him, but he was unhappy with how fast many other organists played it. Widor himself always played the Toccata rather deliberately. This stunning orchestration by Peter Lawson brings this magnificent piece to the orchestral concert hall. Plenty of notes and finger exercises for upper woodwind and strings here!
Duration 5 minutes
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion ([6 players] Triangle, Tambourine, Side Drum, Cymbals, Glockenspiel, Xylohpone)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Widor's best-known single piece for the organ is the final movement, Toccata, from his Symphony for Organ No. 5, which is often played as a recessional at wedding ceremonies. When an organist hears a reference to 'the Widor', he instantly knows the speaker is referring to the Toccata from Symphony No.5. Widor was pleased with the world-wide renown this single piece afforded him, but he was unhappy with how fast many other organists played it. Widor himself always played the Toccata rather deliberately. This stunning orchestration by Peter Lawson brings this magnificent piece to the orchestral concert hall. Plenty of notes and finger exercises for upper woodwind and strings here!
Duration 5 minutes