Felix Mendelssohn Bartholdy
Lobgesang (chant de louange) op. 52 MWV A 18
une symphonie-cantate d'après les Saintes-Écritures
Felix Mendelssohn Bartholdy
Lobgesang (chant de louange) op. 52 MWV A 18
une symphonie-cantate d'après les Saintes-Écritures
- Formation Solistes (SST), Chœur mixte (SATB) et Orchestre
- Compositeur Felix Mendelssohn Bartholdy
- Éditeur Felix Mendelssohn Bartholdy
- Série Bärenreiter Urtext
- Éditeur John Michael Cooper
- Parolier Felix Mendelssohn Bartholdy Charles Henry Monicke
- Édition Réduction piano (Urtext)
- Maison d’Édition Bärenreiter Verlag
- N ° de commande BA9092
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Description:
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he gave the name 'symphony-cantata'. Later he added a secular counterpart with 'Die Erste Walpurgisnacht'.
Drawing on all relevant sources, Cooper provides a detailed account of the genesis and structure of this monumental work. Rounding off his scholarly performing edition are notes on the work’s performance, e.g. tempo, articulation and dynamics.
Drawing on all relevant sources, Cooper provides a detailed account of the genesis and structure of this monumental work. Rounding off his scholarly performing edition are notes on the work’s performance, e.g. tempo, articulation and dynamics.