Partitions pour orchestre symphonique

Carl Nielsen's Clarinet Concerto Op. 57, dating from 1928. Full score corresponding to the Carl Nielsen Edition Vol. 2/9

Streicherstimmen 8-7-6-5-4 und Harmoniestimmen

Serenidad - Clarinet Concerto was composed by Bent Sørensen in 2012.

Doll Steps In Venice by Danish composer Bent Sorensen. Doll Steps In Venice has been composed for solo Clarinet and Orchestra. Sorensen 's musical language is sadi to be undeniably of the present day,...

Orchestration Solo oboe (or Clarinet) 2 Flutes (2nd doubles piccolo), 2 Clarinets in Bb (2nd doubles Bass clarinet), 2 Horns in F, Harp Strings (Violin 1, Violin 2, Viola, Cello, Bass) Malaguena, Haba...

Featuring the same technical brilliance, innovation, and imagination which distinguished the great piano pieces Transcendental Etudes and Hungarian Rhapsodies, these two works are staples in the reper...

On the surface a listener-friendly extension of Field's early-Romantic idiom, this is music encompassing switchbacks of mood and material so bizarre as to be almost unnerving. (Imagine Chopin as it mi...

Instrumentation: 0.2.0.2.cbsn - 2231 - perc(3): tam-t/susp.cym/bongo/3 congas/BD/glsp/crot/3 tom-t - strings

Carlos Surinach's Concerto for Piano and Orchestra. Study score. This work was first performed by the Minnesota Orchestra on November 13, 1974 with Stanislaw Skrowaczewski conducting and Aliciade Lar...

Urtext der Neuen Mozart-Ausgabe. Klavier Solo, Orchester - Partitur; Urtextausgabe; Gesamtausgabe Sinfonieorchester - Sinfonieorchester mit 1 Soloinstrument - Klavier

Urtext der Neuen Mozart-Ausgabe. KlavSolo, Orchester - Partitur; Urtextausgabe; Gesamtausgabe Sinfonieorchester - Sinfonieorchester mit 1 Soloinstrument - Klavier

Flöte, Oboe (2), Horn (2), Trompete (2), Pauke, Streicher - Partitur; Urtextausgabe

Flöte, Oboe (2), Horn (2), Trompete (2), Pauke, Streicher - Partitur; Urtextausgabe

Klavier-solo, Flöte (2), Oboe (2), Klarinette In b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Partitur.

In the composer's words: 'The concerto takes a kind of polymorphous-perverse pleasure in the whole past century of piano music, both popular and classical.' The original inspiration was in the old pia...