Partitions pour orchestre symphonique

Sinfonie Singulière for Orchestra was composed by Franz Berwald in 1845.

Symphony No. 1 in G Minor, Op. 7 was composed by Carl Nielsen in 1891-93. This score is corresponding to The Carl Nielsen Edition.

The present score - Carl Nielsen SYMPHONY NO. 6 - is a photographic reproduction of the work as it appears in Carl Nielsen, Works. Published by the Carl Nielsen Edition, The Royal Library, Copenhagen,...

2010-2011, for Orchestra. Duration: c. 35 min. Orchestra. 4 Flutes (Fl. 2&3 dbl. Alto Flute, Fl. 4 dbl. Piccolo) 3 Oboes 1 English Horn 3 Clarinets in Bb (Cl. 3 dbl. Cl. in Eb) Bass Clarinet 3 Bassoon...

Composed in 1957. 2. 2. 2. 2/4. 3. 3. 1/timp. 3perc/hp/str.

Full score for John Rutter's joyful, sprightly carol Rejoice and sing!, which has been offprinted from Sir David Willcocks: A Celebration in Carols.

Besetzung: 2 Flutes (2nd doubling piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons 2 Horns in F, 2 Trumpets in Bb, Timpani Strings (Violin 1, Violin 2, Viola, Cello, Bass) SATB Chorstimmen sind nicht...

for vocal soloists or SATB choir and orchestra. This tender and much-loved work was composed in 1938 in honour of Sir Henry Wood. It was written for 16 soloists and orchestra but may also be sung by f...

Zwei geistliche Gesänge Chor, Orgel, OrchesterPartitur1. Wisset ihr nicht (Paulus 1, Korint. 3:16). Orchesterfassung: Vardo Rumessen2. Gleich wie der Hirsch (Psalm 42)Orchesterfassung: Helen Tobias-Du...

Revised version by the Gustav MahlerGesellschaft, Vienna

The Music Makers (1912), and The Spirit Of England (1915-1917) were Elgar's last major choral works. In both he set verses by men adjudged considerable poets in their day. The Elgar Complete Edition...

A cantata for chorus and orchestra written specifically with young performers in mind. English poet Patrick Dickinson sets the story of Odysseus returning for Penelope, with Arnold's music serving the...

edited by Colin Graham and Philip Ledger, Instrumentation: 2201 - 0000 - timp - strings

Overall, Benjamin's score aspired towards an exalted kind of jubilation - almost evoking angels in the music of the spheres: and as such it sounded vivid and imaginative. The Guardian (Meirion Bowen),...