Partitions pour orchestre symphonique

Dans ses notes sur les Quatre chants sérieux , Brahms évoque la possibiité d'une orchestration. Glanert a saisi l'idée en la développant. Il se sert d'un orchestre tel que Brahms le voulait pour ses s...

Le va et le vient is a suite de ballet which might well one day return to the stage as a ballet. Originally commissioned by Merce Cunningham and performed under the title Set, Hold, Clear and Squelch...

Metamusik is not only the title of this work, but also a concept with which the composer has attempted to describe his style. He considers Metamusik to be 'a semantic overtone above music'. 'Meta', Si...

Symphony no. 6 is 'a gigantic farewell symphony written at the end of the millenium. It is at one and the same time retrospective, sums up, and, in a visionary manner, is directed towards the future ....

The work was inspired by the work of the Russian poet Xenia Nekrassova, who, after achieving some success in the 1950s, died forgotten and in complete poverty. The childish and naïve character of her...

Peter Tchaikovsky based the fantasy overture Romeo and Juliet, which he composed in October and November 1869, on Shakespeare's tragedy of the same name. The idea of the work had been suggested to him...

From Tchaikowsky's ballet The Nutcracker Suite comes this fresh scoring for your full orchestra or string orchestra (any winds and/or percussion can be added). The technical demands have been reduced,...

From the Birthday Cantata, this familiar tune is filled with the infectious melodic material and mesmerizing harmonic content that are so characteristically Bach. The Best of Bach can be played with j...

The work is a tone poem representing the beauty and serenity of the early autumn evenings in the western provinces of Canada. A number of tranquil effects are enhanced with the addition of wind and pe...

The work is a tone poem representing the beauty and serenity of the early autumn evenings in the western provinces of Canada. A number of tranquil effects are enhanced with the addition of wind and pe...

A superb Robert W. Smith creation built on the foundation of the Ionian mode. A wonderful opportunity to teach the history of this mode through performance literature. As the title implies, the melodi...

Des esquisses furent redécouvertes dans les papiers de la bibliothèque de la Royal School of Church Music, comprenant la mélodie et d'autres fragments prometteurs qui permirent de faire des liens avec...

Composée en 2005 sur commande du Los Angeles Philharmonic et de la Serge Koussevitzky Foundation in the Library of Congress, en mémoire de Serge et Natalie Koussevitzky. La première mondiale a eu lieu...

Composée en 2007 à la demande de la Stiftung Berliner Philharmoniker et de l'Orchestre symphonique de San Francisco. Bien que le titre de l'œuvre soit tiré de la dernière section des Gurrelieder de Sc...

A cycle of six of Finzi's songs arranged for voice and chamber orchestra to mark the composer's centenary in 2001. One of them, When I set out for Lyonnesse, was a hitherto unpublished orchestration o...

One of MacMillan's earliest successes was his first percussion concerto, Veni, Veni, Emmanuel (1992), firmly established with hundreds of performances to date. Percussion Concerto no 2 was therefore r...

Leokadiya Kashperova (1872-1940), qui n'est jusqu'à présent qu'une figure marginale dans l'histoire de la musique en tant que professeur de piano d'Igor Stravinsky, bénéficie depuis peu d'une grande r...