Partitions pour orchestre symphonique

A medley of four of the finest songs by Paul Simon. If a drum kit is not available, orchestral percussion may be used. Separate parts are included for drum kit, timpani and orchestral percussion but o...

Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto Saxophone, Bassoon 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Drum kit OR Timpani and Percussion [4] (Cabasa or Hi-hat, Snare drum, Su...

Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto Saxophone, Bassoon 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Drum kit Strings (Violin 1, Violin 2, Viola, Cello, Double Bass) Burt Ba...

Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto sax, 2 Bassoons 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion [2] (Cymbals (susp and clash), Glockenspiel) Strings (V...

Commissioned by the Sarasota Orchestra.

The orchestration by Don Hart includes a Conductor's Score and parts for: Flute, Oboe, Clarinet, Horns 1, 2 & 3, Percussion 1 & 2, Harp, Rhythm, Violins 1 & 2, Viola, Cello and Bass.

Wish You Were Here, written for the Boston Pops, pays homage to Colin McPhee, one of the first western musicologists to study Balinese gamelan, as well as to the great illustrators Carl Barks and Herg...

The steady Latin-rock groove in the percussion section sets the foundation for this appealing Cuban melody. Translated, the title means 'the girl from Guantanamo.' With the enhanced program notes, it'...

The steady Latin-rock groove in the percussion section sets the foundation for this appealing Cuban melody. Translated, the title means 'the girl from Guantanamo.' With the enhanced program notes, it'...

Bandonéon, piano, harpe, percussions, violon I, violon II, alto, violoncelle, contrebasse

Flûte, hautbois, clarinette, bandonéon, trompette, trombone, xylophone, triangle, guiro, harpe, piano, violon I, violon II, alto, violoncelle, contrebasse

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

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At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...