Partitions pour orchestre de chambre

Antonio Vivaldi (1678-1741) wrote numerous versions in G minor of the Magnificat canticle, making alterations to his own settings over his decades serving as director of music at the Ospedale della Pi...

KOMM, SÜSSER TOD (Viens, douce mort) a été écrit à l'origine pour voix seule et basse continue dans le cadre des 69 SACRED SONGS AND ARIAS que J. S. Bach a contribué à MUSICALISCHES GESANGBUCH de Geor...

Auftragswerk für die Kantorei Kirchditmold der Ev. Petrus-Kirchengemeinde Kassel aus Anlass ihres 100-jährigen Bestehens. Das anspruchsvolle Werk, in dem Töpel auch Texte von Reiner Kunze, Rainer Mari...

Créée et enregistrée par le célèbre Voces8, cette nouvelle entrée dans le domaine traditionnel des Magnificat en plusieurs mouvements est disponible avec de multiples options d'accompagnement, y compr...

for soprano and baritone soloists, SATB chorus, and the composer's original chamber instrumentation Orchestral and vocal material is available on hire. Organ plays from the vocal score.

This is one of the composer's few mature works which does not include vocal soloists, making it an ideal concert opener. It is an attractive and accessible work, the vocal lines are not overdemanding,...

For soprano soloist, mixed choir, and orchestra or ensemble (with organ) This is one of the best-loved and most widely performed choral works of the twentieth century. The texts (in Latin and English)...

Each of the five connected movements in this choral cycle contains references to 'Light, ' assembled from various sacred Latin texts. I composed Lux Aeterna in response to my mother's final illness an...

Le texte, inspiré d'une ancienne légende irlandaise, raconte en images musicales les histoires et les rêves de trois arbres. Le premier devient une crèche, le deuxième un bateau de pêche et le troisiè...

Le texte, inspiré d'une ancienne légende irlandaise, raconte en images musicales les histoires et les rêves de trois arbres. Le premier devient une crèche, le deuxième un bateau de pêche et le troisiè...

ein Passionsoratorium für Solisten (Sopran, Alt, Tenor, Bariton, Sprecher), 4-stg. gem. Chor und Kammerorchester (Fl., Ob. - auch Eh. -, Kl., Fg., 2 Hr., Schlagzeug, 2 Vl., 2 Va., 2 Vlc., Kb)

ein Passionsoratorium für Solisten (Sopran, Alt, Tenor, Bariton, Sprecher), 4-stg. gem. Chor und Kammerorchester (Fl., Ob. - auch Eh. -, Kl., Fg., 2 Hr., Schlagzeug, 2 Vl., 2 Va., 2 Vlc., Kb)

This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's cycle of six choral settings with small orchestra When Icicles Hang.

Full score for John Rutter's lively arrangement of this barnstorming American folk-song.

Orchestral material is available on hire. A different arrangement for unaccompanied SA voices is in Carols for Choirs 4. This set of parts includes the following string parts: 4 x vln I, 4 x vln II, 3...

This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's When Icicles Hang. This set contains: 1 x fl 1, 1 x fl 2, 1 x hp, 1 x hpschd, 4 x v...

Instrumentation for Down by the riverside: 4 trumpets, 3 trombones, tuba, drum kit (trap set), piano, harp (optional), and strings. This set contains the following string parts: 4x vln I, 4x vln II, 3...

This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's cycle of six choral settings with small orchestra When Icicles Hang.

This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's When Icicles Hang. This set contains: 1 x fl 1, 1 x fl 2, 1 x hp, 1 x hpschd, 4 x v...