Partitions pour formations orchestrales

The Zulu title of this popular South African folk hymn translates to We Are Marching. In this clever adaptation, the melody is first presented in all parts, then appears as a round backed by a rock-st...

Opening with a cello and bass introduction, this adaptation of the popular march theme demands a steady tempo, clearly-articulated bowings, and careful attention to accents and dynamics. It affords al...

This arrangement of the Franz von Suppé classic is presented in cut time for players who have not been exposed to 6/8 time or find it difficult to manage. All the integrity of the original has been re...

Scored in D major, this winning march for first-year strings opens and ends with dramatic pyramid entrances from the bottom up -- cellos and basses first, then violas, then 2nd Violins, and finally 1s...

An excellent piece to introduce young string students to the regal "Maestoso" style.

This moderately-paced original in G has singable melody lines, well-articulated accompaniment figures, and interesting material for all. Some simple counterpoint adds depth and dimension, and the opti...

Designed as a first concert piece for beginners, this enduring favorite (released in 1968) limits rhythms to nothing shorter than a quarter note, includes no slurs, provides ample bowing reminders, an...

The Zulu title of this popular South African folk hymn translates to We Are Marching. In this clever adaptation, the melody is first presented in all parts, then appears as a round backed by a rock-st...

The Zulu title of this popular South African folk hymn translates to We Are Marching. In this clever adaptation, the melody is first presented in all parts, then appears as a round backed by a rock-st...

Opening with a cello and bass introduction, this adaptation of the popular march theme demands a steady tempo, clearly-articulated bowings, and careful attention to accents and dynamics. It affords al...

This arrangement of the Franz von Suppé classic is presented in cut time for players who have not been exposed to 6/8 time or find it difficult to manage. All the integrity of the original has been re...

The title refers to the principal teaching point and the clever hook on which the march is built: the accidental. Everything is approached logically yet cleverly, making the teaching of new fingerings...

Le titre fait référence au principal point d'enseignement et à l'astucieuse accroche sur laquelle la marche est construite : l'accident. Tout est abordé de manière logique et intelligente, rendant l'a...

Sandra Lentner's arrangement abruptly changes from the waltz-like Toyland to the military-style March of the Toys and its six-eight rhythms. There is opportunity for better cellists to shine, and movi...

Accessible aux ensembles d'étudiants et approprié pour toute occasion patriotique. Contenu : Bannière étoilée ; hymne national ; America the Beautiful ; hymne de la marine ; Spirit of '76 ; Armed Forc...