Partitions pour formations orchestrales

Le rondo du troisième mouvement du CONCERTO POUR VIOLON NO. 2 de Niccolò Paganini doit son surnom "La Clochette" ou "La Campanella" ("Petite Cloche") à la petite cloche qui joue avant chaque récurrenc...

Composed in the summer of 1909, Rachmaninoff's third Concerto for Piano was premiered in November of that year with the composer as soloist, though he was forced to practice the work on silent keyboar...

Originally intended for solo violin and orchestra, Nicolai Rimsky-Korsakov (1844-1908) later determined that the five Spanish folk melodies used in each of the movements of his Capriccio Espagnol woul...

Le jeune Gioacchino Rossini (1792-1868) a composé Variazzioni di clarinetto (Variations pour clarinette et petit orchestre en do majeur) vers 1809. L'œuvre a été éditée par Amadeo Cerasa. Instrumentat...

Camille Saint-Saëns (1835-1921) wrote this Tarantelle (Tarantella), Op. 6 for flute, clarinet, and piano in 1857, and the salon piece showcases the composer's mature style despite his young age, which...

Camille Saint-Saëns (1835-1921) wrote this Tarantelle (Tarantella), Op. 6 for flute, clarinet, and piano in 1857, and the salon piece showcases the composer's mature style despite his young age, which...

Camille Saint-Saëns a composé la ROMANCE en fa majeur, opus 36, en 1874, pour cor ou violoncelle avec orchestre ou piano. La version pour cor et piano a été créée le 14 février 1874 à Paris avec la Sa...

Following the death of his mother in 1888, a depressed Camille Saint-Saëns (1835-1921) decided to take a trip to his favorite destination, North Africa, travelling to Ceylon, then to Alexandria and Ca...

The Symphony No. 3 in C minor, popularly known as the 'Organ Symphony', was completed in 1886 at what could be considered the artistic peak of Saint-Saens' career. The composer said of the work, 'I ga...

En 1875, Camille Saint-Saëns (1835-1921) a créé une structure novatrice en quatre parties pour son CONCERTO POUR PIANO NO. 4 EN UT MINEUR, OP. 44. Dédiant l'œuvre à Anton Door, le compositeur l'a créé...

Camille Saint-Saëns (1835-1921) wrote his final piano concerto, Concerto No. 5, Op. 103, in 1896, which debuted that year with the composer himself performing the solo part. It derives its subtitle, "...

Robert Schumann (1810-1856) wrote his CELLO CONCERTO in A minor, Op. 129, in 1850, within the span of only two weeks. He tried offering the work to two publishers before Breitkopf and Hartel decided t...

Robert Schumann's (1810-1856) Symphony No. 2 in C, Op. 61 was sketched quickly in 1845, but depression and ringing in his hears prevented Schumann from completing the orchestration until later in 1846...

Robert Schumann's (1810-1856) Symphony No. 2 in C, Op. 61 was sketched quickly in 1845, but depression and ringing in his hears prevented Schumann from completing the orchestration until later in 1846...

Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...

Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...

Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...

Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...

Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...

Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...

Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still...

This Mozart-inspired work, completed in January of 1877, was the first composition by Tchaikovsky for cello and orchestra. This version of Variations on a Rococo Theme, heavily edited by Wilhelm Fitze...

Captivated by the playing of famed Franz Liszt pupil Eugen d'Albert during the 1883-1884 concert season, Peter Iljitsch Tschaikowsky (1840-1893) began work on Concert Fantasia. After an arduous compos...

SOUVENIR D'UN LIEU CHER est un ensemble de trois pièces écrites à l'origine pour violon et piano, à peu près en même temps que le Concerto pour violon de Tchaïkovski. L'œuvre a été achevée en mai 1878...