Partitions pour formations orchestrales

Stimmensatz - Oboe I, Oboe II, Horn-d I, Horn-d II, 4 Violinen I, 4 Violinen II, 2 Violen, 4 Bassi

For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

The suite from the cycle 'Plöner Musiktag' (1932) was structured according to the exact instrumentation directions of the composer and completed with a percussion part ad lib. Particular attraction is...

The suite from the cycle 'Plöner Musiktag' (1932) was structured according to the exact instrumentation directions of the composer and completed with a percussion part ad lib. Particular attraction is...

The suite from the cycle 'Plöner Musiktag' (1932) was structured according to the exact instrumentation directions of the composer and completed with a percussion part ad lib. Particular attraction is...

A typical solo concerto of the Mannheim School which contributed to the fact that this new style was spread all over the world by the composer and celebrated oboe virtuoso Lebrun. This work convinces...

A typical solo concerto of the Mannheim School which contributed to the fact that this new style was spread all over the world by the composer and celebrated oboe virtuoso Lebrun. This work convinces...

A typical solo concerto of the Mannheim School which contributed to the fact that this new style was spread all over the world by the composer and celebrated oboe virtuoso Lebrun. This work convinces...

A typical solo concerto of the Mannheim School which contributed to the fact that this new style was spread all over the world by the composer and celebrated oboe virtuoso Lebrun. This work convinces...