Partitions pour instruments à cordes

This solo work for violin was premiered on May 12 at Mount Holyoke College and performed by Rachel Barton Pine. Duration: 5 minutes.

The two volumes of Trott's widely used etudes are combined into one convenient, affordable volume.

Composed for the American violinist Rachel Barton Pine, Rush is a virtuosic fanfare for the instrument. 2 minutes.

Based on the instrumental interlude of the well-known Peking Opera, Farewell My Concubine. 10 minutes.

Three fantasy movements which draw on uniquely different inspirations. 15 minutes.

With 2 CDs Of Performances And Accompaniments Released in celebration of the 100th anniversary of the birth of one of America's greatest composers, this collection presents the first editions of a rec...

Inspired by the concept of the serenading lover. In two colorful sections. Advanced Level.

Inspired by Nigun, a fundamental musical concept in traditional Jewish music.

Augusta Read Thomas' Dream Catcher for solo Violin. Dream Catcher was written for and is dedicated to Maria Schleuning who gave its premiere performance on a program by 'VoicesofChange' 3 May 2009, i...

Originally composed in 2011 for Anne Akiko Meyersa and her daughter Natalie, it was later orchestrated for Marin Alsop's 20th season at the Cabrillo Festival of Contemporary Music, and has been transc...

Three of the most beloved violin concertos from the Romantic era, combined into a convenient and affordable collection. These repertoire staples belong in every violinist's music library. Includes: Br...

Composer Note: String Force (2010) was commissioned by the International Violin Competition of Indianapolis for the 2010 competition and underwritten by the Christel DeHaan Family Foundation in honor...

Sheet music for Joan Tower's Second String Force for Solo Violin.

On Christmas Night is a sequence of eight carols with a variety of performance options. Chilcott uses several familiar carol melodies within his own settings, which employ a wide range of styles and m...

An arrangement of Scenes 5 and 12 from a projected stage-work on the life of Tchaikovsky. They are identical in structure and draw on the set of Russian folk songs that Tchaikovsky arranged for piano-...

This hauntingly beautiful piece is extracted from Rutter's large-scale work Visions. The expressive solo line features long phrases, double stopping in thirds and sixths, and a quasi-improvised sectio...

This enchanting setting brings a fresh take on a familiar fifteenth-century text. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody through each of the voice part...

Victoria opens this motet with a dramatic homophonic account of Judas's betrayal of Jesus, similar to the opening of another of his responsory settings, Jesum tradidit impius, before a contrasting sec...

The composer writes: The structure is a short set of double variations, the two themes following a short introduction. One is flamboyant and rhetorical, the other gentle and lyrical. The first develop...

This equisite Fantasia on the timeless English folk song 'Greensleeves' was arranged for violin and piano by Michael Mullinar based on music from Vaughan Williams's opera Sir John in Love.

This is a compelling setting of words by American writer and civil rights activist James Weldon Johnson that tell how the power of song can overcome dark times. The composer brings this powerful text...

This publication of Finnissy's Violin Sonata coincided with the release of the 'mode, New York' record label's Finnissy CD in December 2008, performed by renowned ensemble The Fidelio Trio. The work e...