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Partitions pour Harmonie pour les professionnels

Antonín Dvořák
2. Adagio

In the Adagio of Dvorak's eighth symphony, there is a masterly alternation of minor-and major-mode themes picturing an old castle in his proud and melancholic aspects. (Concert Band)

In the Adagio of Dvorak's eighth symphony, there is a masterly alternation of minor-and major-mode themes picturing an old castle in his proud and melancholic aspects. (Concert Band)

  • Orchestre d'Harmonie
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  • Jos van de Braak
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Antonín Dvořák
4. Allegro ma non troppo

The last movement, Allegro ma non troppo, of Dvorak's eighth symphony starts with a Trumpet fanfare followed by the dark coloured main theme that dominates throughout the piece: either in its slow lyr...

The last movement, Allegro ma non troppo, of Dvorak's eighth symphony starts with a Trumpet fanfare followed by the dark coloured main theme that dominates throughout the piece: either in its slow lyr...

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  • Jos van de Braak
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Antonín Dvořák
4. Allegro ma non troppo

The last movement, Allegro ma non troppo, of Dvorak's eighth symphony starts with a Trumpet fanfare followed by the dark coloured main theme that dominates throughout the piece: either in its slow lyr...

The last movement, Allegro ma non troppo, of Dvorak's eighth symphony starts with a Trumpet fanfare followed by the dark coloured main theme that dominates throughout the piece: either in its slow lyr...

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  • Jos van de Braak
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Emil Nikolaus von Reznicek
(Overture)

Donna Diana' is the only opera of von Reznicek that is still to be performed sometimes. Its style is charming (viennese) and diverting with some spanish coloring.The overture, unique in its freshness...

Donna Diana' is the only opera of von Reznicek that is still to be performed sometimes. Its style is charming (viennese) and diverting with some spanish coloring.The overture, unique in its freshness...

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  • Jos van de Braak
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Emil Nikolaus von Reznicek
(Overture)

Donna Diana' is the only opera of von Reznicek that is still to be performed sometimes. Its style is charming (viennese) and diverting with some spanish coloring.The overture, unique in its freshness...

Donna Diana' is the only opera of von Reznicek that is still to be performed sometimes. Its style is charming (viennese) and diverting with some spanish coloring.The overture, unique in its freshness...

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  • Jos van de Braak
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Aram Khatschaturian
Small Suite (three movements)

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

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  • Somers
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N ° de commande: BTM062
Aram Khatschaturian
Small Suite (three movements)

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

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  • Erik Somers
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N ° de commande: BTM062SC
Aram Khatschaturian
Large Suite (five movements)

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

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  • Erik Somers
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N ° de commande: BTM063
Aram Khatschaturian
Large Suite (five movements)

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

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  • Erik Somers
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N ° de commande: BTM063SC
Alexander Borodin
(Overture)

Alexander Borodin (1833-1887) started working on his only opera Prince Igor in 1869, but at his death 18 years later it remained unfinished.The splendid overture seems to have been completed by Glazun...

Alexander Borodin (1833-1887) started working on his only opera Prince Igor in 1869, but at his death 18 years later it remained unfinished.The splendid overture seems to have been completed by Glazun...

  • Orchestre d'Harmonie
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  • Maurice Dubois
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N ° de commande: BTM096
Alexander Borodin
(Overture)

Alexander Borodin (1833-1887) started working on his only opera Prince Igor in 1869, but at his death 18 years later it remained unfinished.The splendid overture seems to have been completed by Glazun...

Alexander Borodin (1833-1887) started working on his only opera Prince Igor in 1869, but at his death 18 years later it remained unfinished.The splendid overture seems to have been completed by Glazun...

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  • Jacques Dubois
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Carl A. Nielsen
A fantasy journey To Faroer

Nielsen's Rhapsodic Overture (1927) represents the romantic musical element in orchestral composition. The sub-title A fantasy journey to FaroÙr belies the imaginative character of the piece, which is...

Nielsen's Rhapsodic Overture (1927) represents the romantic musical element in orchestral composition. The sub-title A fantasy journey to FaroÙr belies the imaginative character of the piece, which is...

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  • Jos van de Braak
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N ° de commande: BTM100
Carl A. Nielsen
A fantasy journey To Faroer

Nielsen's Rhapsodic Overture (1927) represents the romantic musical element in orchestral composition. The sub-title A fantasy journey to FaroÙr belies the imaginative character of the piece, which is...

Nielsen's Rhapsodic Overture (1927) represents the romantic musical element in orchestral composition. The sub-title A fantasy journey to FaroÙr belies the imaginative character of the piece, which is...

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Richard Strauss
for Horn and Symohonic Band

In 1882 Richard Strauss wrote his 'Horn Concerto No. 1' in E-flat major, Op. 11. The horn concerto has become the most frequently performed horn concerto written in the 19th Century. At the age of 18...

In 1882 Richard Strauss wrote his 'Horn Concerto No. 1' in E-flat major, Op. 11. The horn concerto has become the most frequently performed horn concerto written in the 19th Century. At the age of 18...

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  • Simon Scheiwiller
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N ° de commande: BTM1011
Richard Strauss
for Horn and Symohonic Band

In 1882 Richard Strauss wrote his 'Horn Concerto No. 1' in E-flat major, Op. 11. The horn concerto has become the most frequently performed horn concerto written in the 19th Century. At the age of 18...

In 1882 Richard Strauss wrote his 'Horn Concerto No. 1' in E-flat major, Op. 11. The horn concerto has become the most frequently performed horn concerto written in the 19th Century. At the age of 18...

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  • Simon Scheiwiller
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Gustav Mahler
Movement 1. - "Todtenfeier"

Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...

Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...

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  • Jos van de Braak
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Gustav Mahler
Movement 1. - "Todtenfeier"

Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...

Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...

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Gustav Mahler
from Symphony No. 1

Between late 1887 and March 1888 Gustav Mahler composed his 'Symphony No. 1'. In the first version of the symphony there were 5 movements but when the premiere was not well received, Mahler made some...

Between late 1887 and March 1888 Gustav Mahler composed his 'Symphony No. 1'. In the first version of the symphony there were 5 movements but when the premiere was not well received, Mahler made some...

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  • Guus Dohmen
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Gustav Mahler
from Symphony No. 1

Between late 1887 and March 1888 Gustav Mahler composed his 'Symphony No. 1'. In the first version of the symphony there were 5 movements but when the premiere was not well received, Mahler made some...

Between late 1887 and March 1888 Gustav Mahler composed his 'Symphony No. 1'. In the first version of the symphony there were 5 movements but when the premiere was not well received, Mahler made some...

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  • Guus Dohmen
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Richard Strauss
Waltz Sequence No. 3

'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It was first perform...

'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It was first perform...

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  • Christiaan Janssen
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Richard Strauss
Waltz Sequence No. 3

'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It was first perform...

'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It was first perform...

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  • Christiaan Janssen
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Camille Saint-Saëns
Symphonic Poem

For the Danse Macabre, Saint-SaÙns turned to the 'Dance of the Death', which appears in various versions in the Art of the later Middle Ages. Saint-SaÙns evokes (using the xylophone) the midnight cavo...

For the Danse Macabre, Saint-SaÙns turned to the 'Dance of the Death', which appears in various versions in the Art of the later Middle Ages. Saint-SaÙns evokes (using the xylophone) the midnight cavo...

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  • Gerhart Drijvers
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N ° de commande: BTM103
Camille Saint-Saëns
Symphonic Poem

For the Danse Macabre, Saint-SaÙns turned to the 'Dance of the Death', which appears in various versions in the Art of the later Middle Ages. Saint-SaÙns evokes (using the xylophone) the midnight cavo...

For the Danse Macabre, Saint-SaÙns turned to the 'Dance of the Death', which appears in various versions in the Art of the later Middle Ages. Saint-SaÙns evokes (using the xylophone) the midnight cavo...

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  • Gerhart Drijvers
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N ° de commande: BTM103SC
Ludwig van Beethoven
Wellington's Victory

After the 'Battle of Vitoria', Beethoven's friend Johann Nepomuk Maelzel talked him into writing a composition for his panharmonicon (a kind of 'mechanical orchestra') to commemorating this battle. Th...

After the 'Battle of Vitoria', Beethoven's friend Johann Nepomuk Maelzel talked him into writing a composition for his panharmonicon (a kind of 'mechanical orchestra') to commemorating this battle. Th...

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  • Andreas van Zoelen
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N ° de commande: BTM1057
Ludwig van Beethoven
Wellington's Victory

After the 'Battle of Vitoria', Beethoven's friend Johann Nepomuk Maelzel talked him into writing a composition for his panharmonicon (a kind of 'mechanical orchestra') to commemorating this battle. Th...

After the 'Battle of Vitoria', Beethoven's friend Johann Nepomuk Maelzel talked him into writing a composition for his panharmonicon (a kind of 'mechanical orchestra') to commemorating this battle. Th...

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  • Andreas van Zoelen
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N ° de commande: BTM1057SC