Partitions pour orchestre d'instruments à vent

Écrite pour un orchestre de collège de Cedar Rapids, dans l'Iowa, le compositeur déclare que, bien qu'elle ait été commandée avant les inondations catastrophiques de 2008 qui ont touché tant de person...

Écrite pour un orchestre de collège de Cedar Rapids, dans l'Iowa, le compositeur déclare que, bien qu'elle ait été commandée avant les inondations catastrophiques de 2008 qui ont touché tant de person...

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....