Partitions pour orchestre d'instruments à vent

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

Rich contemporary harmonies in a setting that features a flugelhorn soloist at the beginning and again at the end. ?¬

Rich contemporary harmonies in a setting that features a flugelhorn soloist at the beginning and again at the end. ?¬

Rich contemporary harmonies in a setting that features a flugelhorn soloist at the beginning and again at the end. ?¬

Rich contemporary harmonies in a setting that features a flugelhorn soloist at the beginning and again at the end. ?¬

Rich contemporary harmonies in a setting that features a flugelhorn soloist at the beginning and again at the end. ?¬

Rich contemporary harmonies in a setting that features a flugelhorn soloist at the beginning and again at the end. ?¬

Rich contemporary harmonies in a setting that features a flugelhorn soloist at the beginning and again at the end. ?¬

Rich contemporary harmonies in a setting that features a flugelhorn soloist at the beginning and again at the end. ?¬

Rich contemporary harmonies in a setting that features a flugelhorn soloist at the beginning and again at the end. ?¬