Ensemble

For 3 equal C or Bb intruments.

This work is universally and perhaps more commonly known as the 'Archduke' Trio because it is dedicated to the composer's patron Archduke Rudolph. Beethoven actually considered the Piano Trio in B fla...

This work was composed for the outstanding clarinetist Anton Stadler (1753-1812), a member of the court orchestra in Vienna and a friend of Mozart's from the time the latter first settled in Vienna in...

With Violin/Cello and Harmonium/Organ Accompaniment.

For Soprano, Piano and either Clarinet, Flute or Violin.

With 2 piccolos or flutes and piano. Contents: 1. Joli Tambour (Pretty Drum Boy) * 2. O Ma Tendre Musette (O my gentle Musette) * 3. Gentle Alouette (Pretty Skylark).

For flute, cello or viola, and piano.

For flute, viola da gamba and basso continuo.

For flute, viola de gamba and basso continuo.

For flute and string quartet. Arranged here for flute and harp reduction.

Menotti is best known for his operas, but he has written some wonderful chamber music, among which this piece deserves special notice. It was composed for and has been recorded by the Verdehr Trio as...

Mexcian-born composer Daniel Catßn now resides in the United States. He originally composed Encantamiento for two alto recorders (50484728/8. 95). The composer has made two new versions of this haunti...

Originally scored in D major for counter-tenor, with trumpet and strings, the work is here arranged by John Rutter for performance by soprano and organ (or strings and organ continuo), with or without...

Originally scored in D major for counter-tenor, with trumpet and strings, the work is here arranged by John Rutter for performance by soprano and organ (or strings and organ continuo), with or without...

A splendid curtain-raiser to Vivaldi's Gloria, Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices, not five. Durante's vocally richer...

A splendid curtain-raiser to Vivaldi's Gloria, Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices, not five. Durante's vocally richer...

Si Ferdinand Hérold doit sa réputation en grande partie à ses opéras, dont Zampa ou La Fiancée de marbre (1831) reste une référence jusqu'à aujourd'hui, il est des œuvres du début de sa vie dont on pa...

Si Ferdinand Hérold doit sa réputation en grande partie à ses opéras, dont Zampa ou La Fiancée de marbre (1831) reste une référence jusqu'à aujourd'hui, il est des œuvres du début de sa vie dont on pa...

Si Ferdinand Hérold doit sa réputation en grande partie à ses opéras, dont Zampa ou La Fiancée de marbre (1831) reste une référence jusqu'à aujourd'hui, il est des œuvres du début de sa vie dont on pa...

Entre 1879 et 1891, Ernest Chausson a composé dix motets. Seul l'Ave verum corpus (1883) a été publié de son vivant. Tota pulchra es, Maria (1886) et Pater noster (1891) sont publiés par Rouart-Leroll...

Dans les catalogues d'édition des trente dernières années, il est difficile de trouver des œuvres en forme de quintette, associant percussion et quatuor à cordes. C'est que les questions posées par ce...

Entre 1879 et 1891, Ernest Chausson a composé dix motets. Seul l'Ave verum corpus (1883) a été publié de son vivant. Tota pulchra es, Maria (1886) et Pater noster (1891) sont publiés par Rouart-Leroll...

Die Quattro Donne für Cello und Sopransaxophon zeichnen, mit durchaus ironischen Unterton, musikalisch vier unterschiedliche Frauencharaktere: die Resolute (La Risoluta), die Nostalgische (La Nostalgi...

Kompositionen von: J. S. Bach, J. Clarke, F. Couperin, J.-F. Dandrieu, C. Graupner, G. F. Händel, J. L. Krebs, B. Marcello, C. Petzold, J. Ph. Rameau, G. P. Telemann. Grundlage der Adaptionen waren gr...

Kompositionen von: Johann Sebastian Bach, Ernst Gottlieb Baron, Georg Friedrich Händel, Benedetto Marcello, Georg Philipp Telemann, Robert de Visée, Antonio Vivaldi, Silvius Leopold Weiss. Grundlage d...