Ensemble

Your audience will fall in love with this beautiful waltz arranged for your string orchestra. Perfect for teaching section independence, each part is unique and important, from the violin melody to th...

Composed for the author's granddaughter, Faith, Faith's Waltz is in the key of G Major and is a good opportunity to reinforce the scale and its fingering, while playing in an ensemble preparing for a...

Composed for the author's granddaughter, Faith, Faith's Waltz is in the key of G Major and is a good opportunity to reinforce the scale and its fingering, while playing in an ensemble preparing for a...

Composée pour la petite fille de l'auteur, Faith, Faith's Waltz est dans la tonalité de sol majeur et constitue une bonne occasion de renforcer la gamme et son doigté, tout en jouant au sein d'un ense...

Composed for the author's granddaughter, Faith, Faith's Waltz is in the key of G Major and is a good opportunity to reinforce the scale and its fingering, while playing in an ensemble preparing for a...

A stunningly beautiful waltz that will make your beginning orchestra sound advanced for their age level. Based on the D-major scale with a beautiful ostinato bass line, this original fiddle waltz from...

A stunningly beautiful waltz that will make your beginning orchestra sound advanced for their age level. Based on the D-major scale with a beautiful ostinato bass line, this original fiddle waltz from...

Elegant evenings at the palace mixed with palace intrigue come to mind in this lovely medley of three traditional Russian melodies. The changing tempi of this freely flowing piece provide challenge an...

Elegant evenings at the palace mixed with palace intrigue come to mind in this lovely medley of three traditional Russian melodies. The changing tempi of this freely flowing piece provide challenge an...

Elegant evenings at the palace mixed with palace intrigue come to mind in this lovely medley of three traditional Russian melodies. The changing tempi of this freely flowing piece provide challenge an...

Charming tunes for celli and violas; very attractive, works very well; piano needed if no bass player.

Charming tunes for celli and violas; very attractive, works very well; piano needed if no bass player.

Charming tunes for celli and violas; very attractive, works very well; piano needed if no bass player.

It can be played in the second year of learning. There is a lovely melody in the 1st violins with a straightforward accompaniment in the other parts.

It can be played in the second year of learning. There is a lovely melody in the 1st violins with a straightforward accompaniment in the other parts.

It can be played in the second year of learning. There is a lovely melody in the 1st violins with a straightforward accompaniment in the other parts.

A gentle, pretty waltz in D Major which would captivate students and audiences alike. There are interesting melodic parts for all. The piano is needed for the arrangement.

A gentle, pretty waltz in D Major which would captivate students and audiences alike. There are interesting melodic parts for all. The piano is needed for the arrangement.

A gentle, pretty waltz in D Major which would captivate students and audiences alike. There are interesting melodic parts for all. The piano is needed for the arrangement.

A totally charming piece from the master of light classical music! Written during the period when Anderson's music was composed for and introduced by The Boston Pops Orchestra, it continues to maintai...

A totally charming piece from the master of light classical music! Written during the period when Anderson's music was composed for and introduced by The Boston Pops Orchestra, it continues to maintai...

A totally charming piece from the master of light classical music! Written during the period when Anderson's music was composed for and introduced by The Boston Pops Orchestra, it continues to maintai...

The ensemble should be encouraged to use whole bows for each note, regardless of whether it is a dotted minim, a minim or a crotchet. Therefore, the students need to 'plan' their bow speed, so that it...

The ensemble should be encouraged to use whole bows for each note, regardless of whether it is a dotted minim, a minim or a crotchet. Therefore, the students need to 'plan' their bow speed, so that it...

The ensemble should be encouraged to use whole bows for each note, regardless of whether it is a dotted minim, a minim or a crotchet. Therefore, the students need to 'plan' their bow speed, so that it...