Ensemble

This beautiful, treasured carol originated as an anonymous lullaby associated with the Nativity. In this arrangement by Jerry Brubaker, the harmonies are lush with a contemporary feeling. Widely used...

Classic jazz - yes, jazz - that your orchestra can play! 'Take Five,' arranged by Bob Cerulli, is the quintessential piece with which to teach 5/4 time. This arrangement has contrasting textures, both...

Classic jazz - yes, jazz - that your orchestra can play! 'Take Five,' arranged by Bob Cerulli, is the quintessential piece with which to teach 5/4 time. This arrangement has contrasting textures, both...

Here's a fun, jazzy, all-pizzicato selection for early beginners to play at one of their first concerts! Built around a strong, steady beat, this original by Doug Spata uses only the D and A strings,...

Here's a fun, jazzy, all-pizzicato selection for early beginners to play at one of their first concerts! Built around a strong, steady beat, this original by Doug Spata uses only the D and A strings,...

Here's a fun, jazzy, all-pizzicato selection for early beginners to play at one of their first concerts! Built around a strong, steady beat, this original by Doug Spata uses only the D and A strings,...

Hotter than a Cajun barbecue, this tour-de-force for the advanced string orchestra is a workout for all of your students (and their conductor!). Conjuring up images of the Deep South, this jazzy rondo...

Hotter than a Cajun barbecue, this tour-de-force for the advanced string orchestra is a workout for all of your students (and their conductor!). Conjuring up images of the Deep South, this jazzy rondo...

Hotter than a Cajun barbecue, this tour-de-force for the advanced string orchestra is a workout for all of your students (and their conductor!). Conjuring up images of the Deep South, this jazzy rondo...

Students will really enjoy playing and singing this old-timey tune that has roots in early New Orleans-style jazz. In first position throughout, this piece features rhythmic syncopation. The upbeat pi...

Students will really enjoy playing and singing this old-timey tune that has roots in early New Orleans-style jazz. In first position throughout, this piece features rhythmic syncopation. The upbeat pi...

Puttin' on the Pizz by Chris Bernotas is sure to become a favorite selection of students and directors. The descending bass line sets the stage for this fun piece. All notes stay in first position and...

Puttin' on the Pizz by Chris Bernotas is sure to become a favorite selection of students and directors. The descending bass line sets the stage for this fun piece. All notes stay in first position and...

Puttin' on the Pizz by Chris Bernotas is sure to become a favorite selection of students and directors. The descending bass line sets the stage for this fun piece. All notes stay in first position and...

Ce morceau aux sonorités amusantes est le moyen idéal d'introduire la différence entre fa ? et fa ? ainsi que do ? et do ? auprès de votre jeune orchestre. Les mélodies sont transmises à toutes les se...

Ce morceau aux sonorités amusantes est le moyen idéal d'introduire la différence entre fa ? et fa ? ainsi que do ? et do ? auprès de votre jeune orchestre. Les mélodies sont transmises à toutes les se...

Ce morceau aux sonorités amusantes est le moyen idéal d'introduire la différence entre fa ? et fa ? ainsi que do ? et do ? auprès de votre jeune orchestre. Les mélodies sont transmises à toutes les se...

Ce morceau aux sonorités amusantes est le moyen idéal d'introduire la différence entre fa ? et fa ? ainsi que do ? et do ? auprès de votre jeune orchestre. Les mélodies sont transmises à toutes les se...

Written in Rondo form, this outstanding festival or concert piece for younger players allows all sections get a chance to shine. Includes an optional Viola substitute part for violins as well as optio...

Your young students will love the way this clever arrangement starts with the lower strings setting the pizzicato bass line while the rest of the orchestra snaps their fingers. A great way to introduc...

Commandée par le Concours international de musique de Genève comme pièce imposée pour son 54e concours en 1998, l'œuvre se compose de trois parties qui sont jouées sans interruption. Un motif de quint...

Commandée par le Concours international de musique de Genève comme pièce imposée pour son 54e concours en 1998, l'œuvre se compose de trois parties qui sont jouées sans interruption. Un motif de quint...

Commandée par le Concours international de musique de Genève comme pièce imposée pour son 54e concours en 1998, l'œuvre se compose de trois parties qui sont jouées sans interruption. Un motif de quint...

Lorsque Andreas Martin Hofmeir* a demandé à Roland Szentpali d'écrire une pièce pour tuba, piano, batterie (ad lib.) et cordes, le compositeur était trop occupé pour répondre à la demande. Szentpali a...

Lorsque Andreas Martin Hofmeir* a demandé à Roland Szentpali d'écrire une pièce pour tuba, piano, batterie (ad lib.) et cordes, le compositeur était trop occupé pour répondre à la demande. Szentpali a...