Antonín Dvořák
Sérénade op. 44
for Wind Instruments, Violoncello and Double Bass
Antonín Dvořák
Sérénade op. 44
for Wind Instruments, Violoncello and Double Bass
- Formation 2 Hautbois, 2 Clarinettes, 2 Bassons, 3 Cors, Violoncelle et Contrebasse
- Formation optionnelle 2 Hautbois, 2 Clarinettes, 2 Bassons, Contrebasson, 3 Cors, Violoncelle et Contrebasse
- Compositeur Antonín Dvořák
- Éditeur Robin Tait
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Niveau de difficulté
- Édition Partition (Urtext)
- Maison d’Édition Bärenreiter Verlag
- N ° de commande BA10424
disponible
sera expédié dans 1-2 jours ouvrables
TVA incluse,
Hors frais de port
Non disponible dans tous les pays. Apprendre encore plus
Description:
> First Urtext edition of Dvorák's popular Serenade for winds
> Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger)
> Critical Commentary by Robin Tait (Eng)
In 1878 Dvorák was in Vienna and was so impressed by a performance of Mozart's Wind Serenade in B-flat major K. 361 that he wrote his own wind serenade within the space of two weeks after his return. Taking Mozart's piece as his model, he supplemented the wind band with a bass part for violoncello and double bass.
The op. 44 Serenade, which also delighted Johannes Brahms, was issued by Dvorák's publisher Simrock shortly after its première. Our new Urtext edition draws on this first print while using the autograph to correct a number of mistakes and above all inconsistencies in articulation.
> Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger)
> Critical Commentary by Robin Tait (Eng)
In 1878 Dvorák was in Vienna and was so impressed by a performance of Mozart's Wind Serenade in B-flat major K. 361 that he wrote his own wind serenade within the space of two weeks after his return. Taking Mozart's piece as his model, he supplemented the wind band with a bass part for violoncello and double bass.
The op. 44 Serenade, which also delighted Johannes Brahms, was issued by Dvorák's publisher Simrock shortly after its première. Our new Urtext edition draws on this first print while using the autograph to correct a number of mistakes and above all inconsistencies in articulation.