Due a due op. 88a
Soprano Saxophone And Percussion
disponible
sera expédié dans 1-2 jours ouvrables
Bertold Hummel
Due a due op. 88a
Soprano Saxophone And Percussion
PDF voir

Bertold Hummel
Due a due op. 88a

Soprano Saxophone And Percussion

  • Formation Saxophone soprano et Percussion
  • Compositeur Bertold Hummel
  • Niveau de difficulté
    (difficile)
  • Édition Partition
  • Maison d’Édition Advance Music
  • N ° de commande ADV07039
disponible
sera expédié dans 1-2 jours ouvrables
  • Carte de crédit
  • Rechnung La facture
  • PayPal
  • Sepa

Non disponible dans tous les pays. Apprendre encore plus

Description:

  • Pages: 32
  • Parution: 31.12.1993
  • Durée: 00:08:00
  • Poids: 171 g
  • Opus: 88a
  • ISMN: 9790206306907
  • EAN: 805095070392
The overall form of this work in one movement is in seven sections. A slow introduction begins with multiphonics of the saxophone and sounds of cymbals played with a double-bass bow. Vibraphone and marimbaphone provide the chordal foundation for a fanfare-like invocation by the saxophone. The atmosphere of the following Allegro is dominated by an ostinato series of notes taken from the chords of the introduction and played by the marimbaphone; over this, starting from a four-note series, the saxophone develops jazz-influenced figures. The constructional elements are worked into a cadenza-like section, followed by an arioso passage, leading over lightly-pulsating sounds to a final climax with a B-A-C-H (B flat - A - C - B) quotation in the saxophone. Once again, it continues with a cadenza-like section. Slap in the saxophone and stopped notes in the vibraphone and marimbaphone introduce new ideas and sonorities for discussion, the constructional elements are played off against each other in a loose sequence. At the end of this second cadenza, the B-A-C-H (B flat - A - C - B) quotation re-appears in the saxophone. A varied reprise of the first Allegro section leads to a concluding passage, taking up the atmosphere of the introduction, combined however with clear references to the four-note series of the Allegro. The interval of a third is heard and remains hovering in the air to the very end, closing the work in pianissimo.