Partitions pour ensemble mixte

Niccolò Paganini's (1782-1840) lovely Sonata Concertata for Guitar and Violin, Op. 61, MS 2, written in 1803, is more reminiscent of Mozart or Haydn rather than the Paganini of his 24 Caprices or Viol...

American composer Arthur Foote (1853-1937) was a member of the "Boston Six" and an advocate of Brahms and Wagner in the United States. His Sarabande and Rigaudon is written for oboe (or flute), viola...

Instrumentation: Oboe, Two Violins, Viola and Violoncello

Ce recueil de quatre chansons de George Butterworth (1885-1916) met en musique la poésie de William Ernest Henley pour voix moyenne et quatuor à cordes. En 1914, le compositeur a orchestré l'accompagn...

Sergei Rachmaninoff's (1873-1943) 6 ROMANCES, Op. 4 was written for voice and piano between 1890-1893. Each of the six songs sets text by a different Russian writer. This edition of the beautiful four...

Jules Massenet (1842-1912) 10 PIÈCES DE GENRE, op. 10, pour piano en 1866. Le n° 5 de cette œuvre, intitulé MÉLODIE, a été arrangé pour voix et piano en 1872, sur un texte de Louis Gallet, et a reçu l...

Considered an homage to Brahms' Piano Quintet, Op. 34, Amy Beach's Quintet, Op. 67, was critically acclaimed upon reception and is now regarded as a milestone of American chamber literature.

Amy Marcy Beach (1867-1944) a composé Theme and Variations, Op. 80 en 1916. En la mineur, le thème est suivi de six variations. Sections : Thème : Lento di molto, sempre espressivo ; Variations 1 : L'...

Amy Marcy Beach (1867-1944) composed Theme and Variations, Op. 80 in 1916. In A minor, the theme is followed by six variations. Sections: Theme: Lento di molto, sempre espressivo; Variations 1: L'iste...

Le célèbre DOUBLE CONCERTO de Brahms est un fantastique chef-d'œuvre pour deux solistes brillants et de même niveau. Composée pour le violoncelliste Robert Hausmann et le violoniste Joseph Joachim, am...

This well-known aria "Le Bonheur est Chose Légère" (ICS 30) was part of Camille Saint-Saëns (1835-1921) four-act opéra fantastique Le timbre d'argent, which was written in 1865. This version for voice...

Écrite pour chœur de cuivres, percussion et orgue, cette œuvre est en trois mouvements : 1. Danse de la Renaissance, 2. Romance, et 3. Toccata. Durée environ 14'

Écrite pour chœur de cuivres, percussion et orgue, cette œuvre est en trois mouvements : 1. Danse de la Renaissance, 2. Romance, et 3. Toccata. Durée environ 14'

Written for a large brass ensemble by Richard Strauss (1864-1949) in 1909, the full title of this work is Feierlicher Einzug der Ritter des Johanniter-Ordens (Festival Procession of the Knights of the...

La compositrice américaine Ruth Crawford Seeger est surtout connue pour le rôle qu'elle a joué dans le développement de l'esthétique moderniste, et elle est devenue une figure notable d'un groupe de c...

These THREE MOTETS by Marc-Antoine Charpentier (1636-1704) are each for chorus and various instrument accompaniments. 1. Serve bone (Women's Chorus and Organ), 2. Pulchra Es (Women's Chorus and Organ)...

Here is a fresh new selection for your winter holiday program. Many carols from the Somerset region of England have become a part of our holiday tradition. Robert Parker has crafted Somerset Carol, Go...

Percy Grainger began work on Shepherd's Hey in 1908 for piano solo, published for the first time in 1911. Based on an English Morris Dance, the melody was collected by Cecil J. Sharp from the playing...

First performance at the XIII Olympic Winter Games 1980, Lake Placid, New York, by the Crane Chorus and Orchestra, State University College, Potsdam, New York. Instrumentation: SATB, 3 Trumpets, 3 Tro...

Composed for and dedicated to Dan Culpepper. Instrumentation: Horn (or Tuba), 2 Flutes (2nd doubles Piccolo), Oboe, English Horn, 2 Bassoons, 2 Clarinets, 2 Trumpets, Trombone, Harp, Double Bass, 3 Pe...

Composed for and dedicated to Dan Culpepper. Instrumentation: Horn (or Tuba), 2 Flutes (2nd doubles Piccolo), Oboe, English Horn, 2 Bassoons, 2 Clarinets, 2 Trumpets, Trombone, Harp, Double Bass, 3 Pe...

SUITE NO. 1 is part of Vaclav Nelhybel's ABC Series, a series conceived with the technical limitations of young performing groups in mind, carefully planning every structural composition device and us...